What is the point of talking about the ancient, relating to the ancient, at the end of the seventies, in a context like that of poetry written in Rome? The article inve- stigates this theme by framing it in the life and experience of a yearbook-magazine such as «Prato pagano», active between 1979 and 1987 and the result of a collective and anonymous editorial work. The result is the image of a poetic group which aimed at recovering not nostalgically the instan- ces of the ancient but rather at hoarding them in new forms, in fact opening a four- th way to experimentation in verses of that period, marked by political unrest, subjec- tive focus, mannerisms
The article deals with modern novel's never ending crisis and republishes a debate on this subject w...
This contribution will offer some considerations on the exhibition Confluenze. Antico e contemporane...
Some addenda & corrigenda to my book Nell'officina dei classici (Rome 2007) are presented taking int...
Il contributo attraversa in modo intenzionalmente parziale, obliquo e non panoramico, la poesia ital...
Il contributo attraversa in modo intenzionalmente parziale, obliquo e non panoramico, la poesia ital...
Nowadays the 1968 movement and its developments are drawing attention more than ever, and are always...
Did in the Roman world exist a gender-oriented representation of old age? A brief survey of the ster...
Connected with the discovery of fire and the beginning of the civilisation process, Prometheus is on...
Nel suo stupore tutto retorico di fronte ad una perennità, che rasenta l'onnipresenza dei miti antic...
This paper aims to find a path of meaning which is divided into two contrapositive directions beginn...
The article is an extract of my Ph.D. Thesis (Da Linea lombarda a via a galassia: una «cosa delicata...
The notorious label ‘Dark Ages’, coined by the Italian humanists, has long indicated an age of utmos...
Nella prima parte del saggio si delinea un quadro sommario del dibattito intorno alla ‘New Late Anti...
The silence characterizes two Roman goddesses: Angerona and Tacita, both mute. The first goddess, th...
Philotis-Tutula and her fellow slaves, as the story told by Plutarch and Macrobius goes, sexually en...
The article deals with modern novel's never ending crisis and republishes a debate on this subject w...
This contribution will offer some considerations on the exhibition Confluenze. Antico e contemporane...
Some addenda & corrigenda to my book Nell'officina dei classici (Rome 2007) are presented taking int...
Il contributo attraversa in modo intenzionalmente parziale, obliquo e non panoramico, la poesia ital...
Il contributo attraversa in modo intenzionalmente parziale, obliquo e non panoramico, la poesia ital...
Nowadays the 1968 movement and its developments are drawing attention more than ever, and are always...
Did in the Roman world exist a gender-oriented representation of old age? A brief survey of the ster...
Connected with the discovery of fire and the beginning of the civilisation process, Prometheus is on...
Nel suo stupore tutto retorico di fronte ad una perennità, che rasenta l'onnipresenza dei miti antic...
This paper aims to find a path of meaning which is divided into two contrapositive directions beginn...
The article is an extract of my Ph.D. Thesis (Da Linea lombarda a via a galassia: una «cosa delicata...
The notorious label ‘Dark Ages’, coined by the Italian humanists, has long indicated an age of utmos...
Nella prima parte del saggio si delinea un quadro sommario del dibattito intorno alla ‘New Late Anti...
The silence characterizes two Roman goddesses: Angerona and Tacita, both mute. The first goddess, th...
Philotis-Tutula and her fellow slaves, as the story told by Plutarch and Macrobius goes, sexually en...
The article deals with modern novel's never ending crisis and republishes a debate on this subject w...
This contribution will offer some considerations on the exhibition Confluenze. Antico e contemporane...
Some addenda & corrigenda to my book Nell'officina dei classici (Rome 2007) are presented taking int...