On Ci-Poet's Choice of Tunes and Aesthetic Association

刘荣平，厦门大学中文系副教授，文学博士。【中文摘要】词调是华夏民族文学的重要语码,凝聚着华夏民族文学的审美心理，大多数词调能引起优美的联想。词人作词时，他们对词调的审美联想会影响到对词调的选择。词调在声、色两方面如表现出美听和直观的特色，会乐于为受众接受，并有可能成为词作量较多的词调。词调中经常出现的改名现象,并非无意义的行为，而是审美心理的诉求与表达，有些词调改名后，会导致该调创作的兴盛。词调的审美观念在历史的长河中是流动不居的。词调审美是词学研究的重大任务，因为词调是词体的核心要素。 【Abstract】The tunes of Ci-poetry are important codes of Chinese literature，embodying the aesthetic psychology of national literature. The vast majority of the tunes of Ci-poetry can evoke associations with grace and beauty. When Ci-poets create Ci，their aesthetic associations concerning the tunes of Ci tend to influence their choice of tunes. Furthermore，when the tunes of Ci-poetry give strong expressions relating to color and sound， such as acoustic beauty and intuitive features， they are more readily accepted by the audience，leading to a greater output of these tunes. The frequent renaming of tunes is a deliberate expression of aesthetic psychology，rather than a behavior devoid of meaning. Some tunes would flourish after renaming. The aesthetic concept of tunes never remains constant in the sweep of history. The aesthetics judgment of tunes of Ci-poetry is an important mission in Chinese Ci study，as the tunes of Ci-poetry are the core element of Ci-literature.国家社会科学基金项目“词学理论的还原与重构研究” (14BZW011