In this paper we present a new method for musical audio source separation, using the information from the musical score to supervise the decomposition process. An original framework using nonnegative matrix factorization (NMF) is presented, where the components are initially learnt on synthetic signals with temporal and harmonic constraints. A new dataset of multitrack recordings with manually aligned MIDI scores is created (TRIOS), and we compare our separation results with other methods from the literature using the BSS EVAL and PEASS evaluation toolboxes. The results show a general improvement of the BSS EVAL metrics for the various instrumental configurations used
International audienceIn this paper we tackle the problem of single channel audio source separation ...
Abstract—We consider inference in a general data-driven ob-ject-based model of multichannel audio da...
[EN] Soundprism is a real-time algorithm to separate polyphonic music audio into source signals, gi...
In this paper we present a new method for musical audio source separation, using the information fro...
In recent years, the processing of audio recordings by exploiting additional musical knowledge has t...
AES 2011: The 45th International Conference on Applications of Time-Frequency Processing in Audio, 1...
International audienceIn this paper, we propose a new unconstrained nonnegative matrix factorization...
This Master’s thesis focuses on the challenging task of separating the musical audio sources with in...
Close-microphone techniques are extensively employed in many live music recordings, allowing for int...
In recent years, source separation has been a central research topic in music signal processing, wit...
International audienceSeparating multiple tracks from professionally produced music recordings (PPMR...
Separating the leading voice from a musical recording seems to be natural to the human ear. Yet, it ...
Separating multiple music sources from a single channel mixture is a challenging problem. We present...
In this work, we propose solutions to the problem of audio source separation from a single recording...
(c) 2014 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for...
International audienceIn this paper we tackle the problem of single channel audio source separation ...
Abstract—We consider inference in a general data-driven ob-ject-based model of multichannel audio da...
[EN] Soundprism is a real-time algorithm to separate polyphonic music audio into source signals, gi...
In this paper we present a new method for musical audio source separation, using the information fro...
In recent years, the processing of audio recordings by exploiting additional musical knowledge has t...
AES 2011: The 45th International Conference on Applications of Time-Frequency Processing in Audio, 1...
International audienceIn this paper, we propose a new unconstrained nonnegative matrix factorization...
This Master’s thesis focuses on the challenging task of separating the musical audio sources with in...
Close-microphone techniques are extensively employed in many live music recordings, allowing for int...
In recent years, source separation has been a central research topic in music signal processing, wit...
International audienceSeparating multiple tracks from professionally produced music recordings (PPMR...
Separating the leading voice from a musical recording seems to be natural to the human ear. Yet, it ...
Separating multiple music sources from a single channel mixture is a challenging problem. We present...
In this work, we propose solutions to the problem of audio source separation from a single recording...
(c) 2014 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for...
International audienceIn this paper we tackle the problem of single channel audio source separation ...
Abstract—We consider inference in a general data-driven ob-ject-based model of multichannel audio da...
[EN] Soundprism is a real-time algorithm to separate polyphonic music audio into source signals, gi...