Complex forms of film narration, almost two decades after their popularization in the mid-1990s, make now a come-back through Hollywood productions. This chapter discusses the return of complex films and studies their storytelling modes from the scope of a broader epistemological paradigm shift towards the complexity of systems. The author suggests that this different perspective lets us address complex films not as deviant and alternative narratives, but as complex systems in their own right. Certain processes of complexity such as self-reference and pattern formation are highlighted as principles of organization of the complex filmic forms, and at the same time as new directions for film analysis and criticism
This article addresses the issue of causality in multi-character films that have been characterized ...
This thesis seeks to research on complex narrative and postmodernism as the perspective to study com...
In this paper, I attempt to reread the 2004 film The Final Cut (Omar Naim) through its connection wi...
Complex forms of film narration, almost two decades after their popularization in the mid-1990s, mak...
This book puts into focus the tendency for increasingly complex forms of narration in post-1990s cin...
Over the past two decades, Hollywood cinema has seen the proliferation of disruptive narrative techn...
Contemporary techno-cultural conditions bring a qualitative shift in cinematic communication, which ...
This paper brings together narratology, game theory, and complexity theory to untangle the intricate...
In the opening chapter, "Complex Narratives," Jan Simons brings together narratology, game theory, a...
Over the past two decades, Hollywood cinema has seen the proliferation of disruptive narrative techn...
Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpab...
Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpab...
This thesis theorizes the viewing experience of narrative complexity in film from a cognitive perspe...
Abstract This article contributes to the recent discussion of what is often referred to in film stud...
Vanaf de jaren negentig van de vorige eeuw is er een opvallende toename geweest van complexe verhaal...
This article addresses the issue of causality in multi-character films that have been characterized ...
This thesis seeks to research on complex narrative and postmodernism as the perspective to study com...
In this paper, I attempt to reread the 2004 film The Final Cut (Omar Naim) through its connection wi...
Complex forms of film narration, almost two decades after their popularization in the mid-1990s, mak...
This book puts into focus the tendency for increasingly complex forms of narration in post-1990s cin...
Over the past two decades, Hollywood cinema has seen the proliferation of disruptive narrative techn...
Contemporary techno-cultural conditions bring a qualitative shift in cinematic communication, which ...
This paper brings together narratology, game theory, and complexity theory to untangle the intricate...
In the opening chapter, "Complex Narratives," Jan Simons brings together narratology, game theory, a...
Over the past two decades, Hollywood cinema has seen the proliferation of disruptive narrative techn...
Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpab...
Narrative complexity is a trend in contemporary cinema. Since the late 1990s there has been a palpab...
This thesis theorizes the viewing experience of narrative complexity in film from a cognitive perspe...
Abstract This article contributes to the recent discussion of what is often referred to in film stud...
Vanaf de jaren negentig van de vorige eeuw is er een opvallende toename geweest van complexe verhaal...
This article addresses the issue of causality in multi-character films that have been characterized ...
This thesis seeks to research on complex narrative and postmodernism as the perspective to study com...
In this paper, I attempt to reread the 2004 film The Final Cut (Omar Naim) through its connection wi...