Growing up means revisiting somehow the images we carry and care the most through our life. Growing up also means rediscovering what we are afraid the most. In an album of delayed images, we demand theatre to help us asking: who the hell is the adult we are becoming. In order to do so, we explore the concepts of image making and performance composition as tools to re-visit and re-discover our family and personal memory
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
I commenced the doctorate programme with the intention of reviewing my past practice and began by re...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
My current thesis work consists of building and photographically documenting sets of SROs (single ro...
57 pagesDespite their obvious visual differences, photography and comics both work to represent a sn...
Statescapes is a practice-based project that draws upon Henri Bergson, experimental film, installati...
Trauma, Memory and Silenced History is a reflection on my progress as a practising visual artist dur...
Distant vestiges of memory incite my art making. By examining my biographical past through various s...
How can the documentation of performance-based practice be destabilised to establish a more generati...
abstract: For my Barrett Honors Thesis Creative Project, I will serve as a Sound Designer, Visual Me...
This practice-led PhD addresses the possibility of creating archives as an artistic practice able to...
The research titled The Uncertain Fragments of Memories has been conducted at Winchester School of A...
My photography and videography give light to dark lapses in my memory. Or perhaps my practice is a l...
Contemporary archival art practices utilise their artefacts in a variety of ways. We Are the Road a...
Video installation composed from 4 x 11-minute photo/poetic/film essays with dynamic typographic ele...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
I commenced the doctorate programme with the intention of reviewing my past practice and began by re...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
My current thesis work consists of building and photographically documenting sets of SROs (single ro...
57 pagesDespite their obvious visual differences, photography and comics both work to represent a sn...
Statescapes is a practice-based project that draws upon Henri Bergson, experimental film, installati...
Trauma, Memory and Silenced History is a reflection on my progress as a practising visual artist dur...
Distant vestiges of memory incite my art making. By examining my biographical past through various s...
How can the documentation of performance-based practice be destabilised to establish a more generati...
abstract: For my Barrett Honors Thesis Creative Project, I will serve as a Sound Designer, Visual Me...
This practice-led PhD addresses the possibility of creating archives as an artistic practice able to...
The research titled The Uncertain Fragments of Memories has been conducted at Winchester School of A...
My photography and videography give light to dark lapses in my memory. Or perhaps my practice is a l...
Contemporary archival art practices utilise their artefacts in a variety of ways. We Are the Road a...
Video installation composed from 4 x 11-minute photo/poetic/film essays with dynamic typographic ele...
What would our idea of memory be without the moving image? Memory, Forgetting and the Moving Image e...
I commenced the doctorate programme with the intention of reviewing my past practice and began by re...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...