Le roman sans aventure... Vraiment ? Quelques réflexions sur la mondialité du roman québécois

The present article challenges one of the major claims of Isabelle Daunais’ essay Le roman sans aventure (The novel without adventure) which states that literature from Quebec is hardly ever read beyond the boundaries of the province as its underpinning narrative pattern is what Milan Kundera in The Art of the Novel calls an idyll, a hermetic, protective environment. My contribution firstly seeks to show that the lack of reception of the Quebecois novel can be explained by the particular dichotomy separating the French-speaking literary field into “Parisian” and “Francophone” texts. Moreover, I would like to explore two Quebecois novels (Nikolski by Nicolas Dickner and La fiancée américaine by Eric Dupont) which engage with the world and with globalisation in numerous ways, thus contradicting the argumentation of the “idyll”