Add to ORKGAll art sas its underlying philosophy. Poetry which is one of the greatest printed branches of art, has its philosophies which vary greatly indeed. Some poets hold as their philosophy that the highest form of beauty is purely natural and they sing the praises of beauty of form, figure etc. Others hold that the highest form of beauty is intellectual and these praise and glorify the beauty of a well ordered mind. While others hold that man was made for God, and that God is the highest form of beauty. These attempt to portray the relationship of man to God, and see in all things a reflection of the creator. This last named philosophy is the Catholic philosophy of art. By Catholic, we mean nothing biased or sectarian, but that broad outlook upo...
GERARD MANLEY HOPKINS (1044-1889) Englishman, Oxford scholar. Catholic convert, and Jesuit priest ha...
This thesis includes the interpretation of art as a religious device in early history that was essen...
With the introduction of the real distinction into modern scholastic philosophy the possibility of d...
The authors investigated genesis of the position of the art in a context of contemporary philosophy ...
For many Christians, engaging with modern art raises several questions: Is the Christian faith at od...
The Catholic Church has been accused of not being sufficiently interested in the things of this worl...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
The story of Christian poetics--that is, of Christians thinking consciously as Christians about the ...
A human being is essentially homo aestheticus and not in the first place homo faber. In the light of...
@Catholic poetry from 1870 to 1914 sticks together with the current history and matches with the gol...
This study proposes two aesthetics, Franciscan and Dominican, to account for two types of lyrics. Th...
Although we begin with the words of the poet Henry Vaughan, it is the visual artists above all who k...
Poetry of Momcilo Nastasijevic gives us undoubted motive to talk about him as a consistent religious...
Historically, we have looked to religion for answers to the deep questions of life, but an increasin...
Claudel, Yeats et Hofmannsthal définissent la création poétique comme une pratique spirituelle. Tous...
GERARD MANLEY HOPKINS (1044-1889) Englishman, Oxford scholar. Catholic convert, and Jesuit priest ha...
This thesis includes the interpretation of art as a religious device in early history that was essen...
With the introduction of the real distinction into modern scholastic philosophy the possibility of d...
The authors investigated genesis of the position of the art in a context of contemporary philosophy ...
For many Christians, engaging with modern art raises several questions: Is the Christian faith at od...
The Catholic Church has been accused of not being sufficiently interested in the things of this worl...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
The story of Christian poetics--that is, of Christians thinking consciously as Christians about the ...
A human being is essentially homo aestheticus and not in the first place homo faber. In the light of...
@Catholic poetry from 1870 to 1914 sticks together with the current history and matches with the gol...
This study proposes two aesthetics, Franciscan and Dominican, to account for two types of lyrics. Th...
Although we begin with the words of the poet Henry Vaughan, it is the visual artists above all who k...
Poetry of Momcilo Nastasijevic gives us undoubted motive to talk about him as a consistent religious...
Historically, we have looked to religion for answers to the deep questions of life, but an increasin...
Claudel, Yeats et Hofmannsthal définissent la création poétique comme une pratique spirituelle. Tous...
GERARD MANLEY HOPKINS (1044-1889) Englishman, Oxford scholar. Catholic convert, and Jesuit priest ha...
This thesis includes the interpretation of art as a religious device in early history that was essen...
With the introduction of the real distinction into modern scholastic philosophy the possibility of d...