Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion and Textile Technology This research project explores the methods of historical creation of textiles and garments through the recreation of a doll dress for the Buffalo History Museum. While items from history are important links to the past, the unfortunate reality is that they can often be damaged to the point where they can no longer be displayed, and their significance cannot be shared with a modern audience. Through reproduction of an item for display, the integrity of the historic item can be presented for viewing, while the original item can be preserved from further damage. This recreation process can also impart important knowledge ...
My collaboration with Gillian Wearing (2003-present) has been to develop new approaches for integrat...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
Textile design and manufacture is intrinsic to the economic, social and cultural history of Scotland...
Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion ...
Reproducing History: A Doll’s 1850s Calico Dress Carleen Gabrys, Fashion and Textile TechnologyFacul...
The purpose of this research was to understand what we can learn from historical garment making. Mak...
This paper explores options for creating digital sewing patterns from garments in historical costume...
Clothing collections speak volumes about the women who made, wore, cleaned, repaired, and saved them...
This study focuses on costume as a source of information. By making a case study of an 1880's dress ...
The analysis of historic garments can reveal hidden information of past construction and reconstruct...
My research provides a means of animating historical costume, bringing movement and narrative to an ...
This article showcases experimental dress reconstruction as a valuable research tool for the histori...
Kayla Lackie, Fashion and Textile Technology Faculty Mentor: Professor Arlesa Shephard, Fashion and ...
There can be various reasons for reconstructing clothing for museum purposes. The most frequent one,...
Workshop: Chalise Ludlow (Valdosta State University) Object-Based Costume History Research Class Ac...
My collaboration with Gillian Wearing (2003-present) has been to develop new approaches for integrat...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
Textile design and manufacture is intrinsic to the economic, social and cultural history of Scotland...
Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion ...
Reproducing History: A Doll’s 1850s Calico Dress Carleen Gabrys, Fashion and Textile TechnologyFacul...
The purpose of this research was to understand what we can learn from historical garment making. Mak...
This paper explores options for creating digital sewing patterns from garments in historical costume...
Clothing collections speak volumes about the women who made, wore, cleaned, repaired, and saved them...
This study focuses on costume as a source of information. By making a case study of an 1880's dress ...
The analysis of historic garments can reveal hidden information of past construction and reconstruct...
My research provides a means of animating historical costume, bringing movement and narrative to an ...
This article showcases experimental dress reconstruction as a valuable research tool for the histori...
Kayla Lackie, Fashion and Textile Technology Faculty Mentor: Professor Arlesa Shephard, Fashion and ...
There can be various reasons for reconstructing clothing for museum purposes. The most frequent one,...
Workshop: Chalise Ludlow (Valdosta State University) Object-Based Costume History Research Class Ac...
My collaboration with Gillian Wearing (2003-present) has been to develop new approaches for integrat...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
Textile design and manufacture is intrinsic to the economic, social and cultural history of Scotland...