Alexander J. Hellert , HON400: All College Honors ColloquiumFaculty Mentor(s): Professor David N. Ben-Merre, English My presentation uses French Situationist philosopher Guy Debord\u27s concept of “spectacle” to describe an emerging form of Capitalism Without Private Property. The spectacle was defined as “not a collection of images, but a social relation among people, mediated by images.” Whilst the Situationists of Debord\u27s time argued authentic social life devolved into accumulating wealth, later just the appearance of wealth, today the system is removing private ownership entirely. Non-perishable commodities will be owned in common by corporations rather than by their users. This is expressed in ride-sharing services replacing car o...
The advanced stage of capitalism that we now live in has brought many changes to the way that societ...
The aim of this paper is to reflect on the concept of spectacle formulated by the French thinker Gu...
Ce texte propose une relecture théorique et un bilan de la Société du spectacle (1967) de Guy Debord...
This study attends to Guy Debord's proposal of the "Society of the Spectacle", attempting to underst...
Linking the terms ‘spectacle’ and ‘speculation’ by virtue of their etymological roots (from the Lati...
This performative, multi-media lecture re-reads Guy Debord’s book, The Society of the Spectacle (196...
The contemporary capitalist system is different from the capitalist system described in "The Society...
The foundation of every society is the result of an arbitrary act: one of its parts takes control ov...
Guy Debord (1931-1994) was the director of the International situationniste journal and de facto lea...
This paper argues that Debord’s La Société du Spectacle was a syncretism of contemporary US criticis...
The subject of this essay is the elusive theoretical concept of spectacle. After mentioning how the ...
Overproduction, consumerism and commodity fetishism — it seems like these tendencies are omnipotent ...
The Situationist International (1957-72) and the groups that preceded it, such as the Lettrist Inter...
The Debord’s Society of the Spectacle: towards the Integrated Spectacle. Published in 1967, the Soci...
Based on Marx’s critical theory of the society of commodity, the paper analyses Debord’s critical th...
The advanced stage of capitalism that we now live in has brought many changes to the way that societ...
The aim of this paper is to reflect on the concept of spectacle formulated by the French thinker Gu...
Ce texte propose une relecture théorique et un bilan de la Société du spectacle (1967) de Guy Debord...
This study attends to Guy Debord's proposal of the "Society of the Spectacle", attempting to underst...
Linking the terms ‘spectacle’ and ‘speculation’ by virtue of their etymological roots (from the Lati...
This performative, multi-media lecture re-reads Guy Debord’s book, The Society of the Spectacle (196...
The contemporary capitalist system is different from the capitalist system described in "The Society...
The foundation of every society is the result of an arbitrary act: one of its parts takes control ov...
Guy Debord (1931-1994) was the director of the International situationniste journal and de facto lea...
This paper argues that Debord’s La Société du Spectacle was a syncretism of contemporary US criticis...
The subject of this essay is the elusive theoretical concept of spectacle. After mentioning how the ...
Overproduction, consumerism and commodity fetishism — it seems like these tendencies are omnipotent ...
The Situationist International (1957-72) and the groups that preceded it, such as the Lettrist Inter...
The Debord’s Society of the Spectacle: towards the Integrated Spectacle. Published in 1967, the Soci...
Based on Marx’s critical theory of the society of commodity, the paper analyses Debord’s critical th...
The advanced stage of capitalism that we now live in has brought many changes to the way that societ...
The aim of this paper is to reflect on the concept of spectacle formulated by the French thinker Gu...
Ce texte propose une relecture théorique et un bilan de la Société du spectacle (1967) de Guy Debord...