This thesis comprises a body of work that investigates affect perception of unfamiliar music, with a focus on both the role of potentially culture-independent psychoacoustic features that are intrinsic to a musical signal (e.g. roughness, harmonicity, spectral entropy, and average pitch) and extrinsic culture-dependent features (e.g. familiarity through exposure and evaluative conditioning). Much previous research in music perception has suggested that extrinsic features are of more importance than intrinsic features, but has not systematically tested the impact of intrinsic features on responses to unfamiliar music. The thesis discusses four experiments conducted to test the role of the above mentioned features using musical stimuli that a...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
We provide evidence that the roughness of chords—a psychoacoustic property resulting from unresolved...
Are emotions in music cross-culturally experienced? While analyses of the emotional experience in re...
Research in music and emotion has largely focused on responses to tonal music on isolated occasions....
Familiarity underpins our engagement with music. This book highlights theoretical and empirical cons...
This study investigates the role of extrinsic and intrinsic predictors in the perception of affect i...
Listeners’ musical perception is influenced by cues that can be stored in short-term memory (e.g. wi...
SummaryIt has long been debated which aspects of music perception are universal and which are develo...
Affective responses to music have been shown to be influenced by the psychoacoustic features of the ...
Listeners' musical perception is influenced by cues that can be stored in short-term memory (e.g., w...
WE EXPLORED HOW MUSICAL CULTURE SHAPES ONE\u27S listening experience.Western participants heard a se...
This study investigates the role of extrinsic and intrinsic predictors in the perception of affect i...
In this study researchers evaluated whether self-reported moods would be differentially affected by ...
It has recently become more common to combine methodologies from the fields of ethnomusicology and p...
A recent topic of concern for those interested in the science of music is whether affective response...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
We provide evidence that the roughness of chords—a psychoacoustic property resulting from unresolved...
Are emotions in music cross-culturally experienced? While analyses of the emotional experience in re...
Research in music and emotion has largely focused on responses to tonal music on isolated occasions....
Familiarity underpins our engagement with music. This book highlights theoretical and empirical cons...
This study investigates the role of extrinsic and intrinsic predictors in the perception of affect i...
Listeners’ musical perception is influenced by cues that can be stored in short-term memory (e.g. wi...
SummaryIt has long been debated which aspects of music perception are universal and which are develo...
Affective responses to music have been shown to be influenced by the psychoacoustic features of the ...
Listeners' musical perception is influenced by cues that can be stored in short-term memory (e.g., w...
WE EXPLORED HOW MUSICAL CULTURE SHAPES ONE\u27S listening experience.Western participants heard a se...
This study investigates the role of extrinsic and intrinsic predictors in the perception of affect i...
In this study researchers evaluated whether self-reported moods would be differentially affected by ...
It has recently become more common to combine methodologies from the fields of ethnomusicology and p...
A recent topic of concern for those interested in the science of music is whether affective response...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
We provide evidence that the roughness of chords—a psychoacoustic property resulting from unresolved...
Are emotions in music cross-culturally experienced? While analyses of the emotional experience in re...