Following Peter Elbow’s work on ‘resonant voice’ or ‘presence’, this essay examines the seldom-explored resonance between a text and its writer in the moment of its creation. The essay asks what the boundaries and content of this space might look like, and how this knowledge might positively affect the creative product. It challenges the popular search for a writer’s ‘voice’, instead positing that each writer has a perpetually shifting internal plurality of voices, which unifies the constructivist and social constructionist views of the self. By arguing that the resonance between writer and writing is the experience of this plurality coming to harmony, the essay posits that to create such a resonance involves a balance of simultaneously rel...
Includes bibliographical references (pages 31-33)The creative thesis consists of an introductory ess...
In this article, the author-researcher presents three intertwined texts: excerpts from an autobiogra...
This thesis examines the Academic Creative Writing Economy (ACWE) as a hegemonic system and how its ...
Following Peter Elbow’s work on ‘resonant voice’ or ‘presence’, this essay examines the seldom-explo...
In this feature essay, Charlotte Wegener and Ninna Meier explore the idea of ‘writing with resonance...
This project investigates how undergraduates conceptualize writerly voice, questioning what student ...
Written in the form of a narrative, this thesis explores the phenomenon of voice in writing, and wh...
Writers speak of voice in many different contexts: developing an authentic voice, finding the right ...
My dissertation, Lyric Ear: Romantic Poetics of Listening, turns from a centuries-long critical focu...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
Resonance is often used to characterize relationships, but it is acomplex concept that explains quit...
Verbatim work places a premium on the invisibility of the artist. This is in tension to Neo-Romantic...
Drawing upon recent research projects undertaken by the authors and others in the international rese...
University of Minnesota Ph.D. dissertation. January 2017. Major: Rhetoric and Scientific and Technic...
I want to start with talking a little about resonances. To resonate means to meet. To vibrate with s...
Includes bibliographical references (pages 31-33)The creative thesis consists of an introductory ess...
In this article, the author-researcher presents three intertwined texts: excerpts from an autobiogra...
This thesis examines the Academic Creative Writing Economy (ACWE) as a hegemonic system and how its ...
Following Peter Elbow’s work on ‘resonant voice’ or ‘presence’, this essay examines the seldom-explo...
In this feature essay, Charlotte Wegener and Ninna Meier explore the idea of ‘writing with resonance...
This project investigates how undergraduates conceptualize writerly voice, questioning what student ...
Written in the form of a narrative, this thesis explores the phenomenon of voice in writing, and wh...
Writers speak of voice in many different contexts: developing an authentic voice, finding the right ...
My dissertation, Lyric Ear: Romantic Poetics of Listening, turns from a centuries-long critical focu...
Text World Theory, originally developed by Paul Werth and further augmented by Joanna Gavins, offers...
Resonance is often used to characterize relationships, but it is acomplex concept that explains quit...
Verbatim work places a premium on the invisibility of the artist. This is in tension to Neo-Romantic...
Drawing upon recent research projects undertaken by the authors and others in the international rese...
University of Minnesota Ph.D. dissertation. January 2017. Major: Rhetoric and Scientific and Technic...
I want to start with talking a little about resonances. To resonate means to meet. To vibrate with s...
Includes bibliographical references (pages 31-33)The creative thesis consists of an introductory ess...
In this article, the author-researcher presents three intertwined texts: excerpts from an autobiogra...
This thesis examines the Academic Creative Writing Economy (ACWE) as a hegemonic system and how its ...