Add to ORKGThis presentation is based upon research in the Kubrick Archive held at London College of Communication. Sound-related documentation from Spartacus (1960), Clockwork Orange (1971), Full Metal Jacket (1987) and Eyes Wide Shut (1999) forms the basis of a diachronic review of the iconic director’s use of sound over four decades
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
It has long been recognised that Barry Lyndon deploys a range of anachronisms both visual and musica...
The purpose of this study is to analyze and describe various sources of artistic inspiration and, in...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
This chapter approaches the phenomenon of “cinematic listening” through a combined critical consider...
This is a massive edited collection (314 large format pages). My own contributions comprise a jointl...
Stanley Kubrick was one of the most important authors in the history of sound cinema. The aesthetic ...
As the basis of what was to be his last film, Eyes Wide Shut, the director Stanley Kubrick chose a w...
Stanley Kubrick is among film history’s most famous—and at times, infamous—directors, known especial...
This doctoral dissertation aims at questioning the notion of subjectivity in the second half of Stan...
This article focuses on Performance Studies in an effort to integrate acting – this little-studied a...
The place and role of music in Stanley Kubrick’s masterpiece 2001 : A Space Odyssey (1968) offers to...
This article examines the aesthetic result from the relation between images and sound elements of th...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
It has long been recognised that Barry Lyndon deploys a range of anachronisms both visual and musica...
The purpose of this study is to analyze and describe various sources of artistic inspiration and, in...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
The thesis discusses the use, function, and psychology of film music on the example of three films b...
This chapter approaches the phenomenon of “cinematic listening” through a combined critical consider...
This is a massive edited collection (314 large format pages). My own contributions comprise a jointl...
Stanley Kubrick was one of the most important authors in the history of sound cinema. The aesthetic ...
As the basis of what was to be his last film, Eyes Wide Shut, the director Stanley Kubrick chose a w...
Stanley Kubrick is among film history’s most famous—and at times, infamous—directors, known especial...
This doctoral dissertation aims at questioning the notion of subjectivity in the second half of Stan...
This article focuses on Performance Studies in an effort to integrate acting – this little-studied a...
The place and role of music in Stanley Kubrick’s masterpiece 2001 : A Space Odyssey (1968) offers to...
This article examines the aesthetic result from the relation between images and sound elements of th...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
It has long been recognised that Barry Lyndon deploys a range of anachronisms both visual and musica...
The purpose of this study is to analyze and describe various sources of artistic inspiration and, in...