The town of Folkestone on the south Kent coast in the UK once enjoyed a thriving identity as both seaside resort and gateway to Europe. From the 1960s onwards a gradual decline set in with the advent of mass global travel, culminating in the deathblow that was dealt by the nearby Eurotunnel’s inauguration towards century’s end, which signalled the end of the town’s ferry link to the continental mainland. A concerted attempt has been underway for a decade now to revitalise the town using the arts, creative industries and education as the drivers of regeneration. One of the main initiatives in this endeavour was the introduction in 2008 of the Folkestone Triennial, a three-month summer event in which high-profile international artists were...
The project title was taken from one of the 2013 Reith Lectures that was presented by the artist, Gr...
Historic harbours, as infrastructural elements, are neither buildings nor monuments thus typically f...
This is a commissioned critical essay, for participatory arts agency Strange Cargo (UK). It offers a...
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently ...
Illuminated in Folkestone’s Creative Quarter stands the text-sculpture ‘heaven is a place where noth...
Lecture and panel discussion at the Imagined Cites conference as part of Folkestone Triennial 2014. ...
The Pavilion was a temporary timber structure designed for the international collaborative exhibitio...
A public consultation focussed on the Isle of Portland’s ‘loveability’ and the key opportunities and...
Britain’s New Towns are little understood and often misrepresented, but they deserve greater attenti...
In this article we discuss our creative research on and with a contested coastal community on one of...
This article explores and discusses the development of a mapping tool inspired by Charles Renouvier’...
The Illegal Town Plan aims to understand and develop community- based futures for economic and socia...
This article explores and discusses the development of a mapping tool inspired by Charles Renouvier’...
A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum,...
Large-scale re-development of post-industrial sites can easily railroad over the needs or wishes of ...
The project title was taken from one of the 2013 Reith Lectures that was presented by the artist, Gr...
Historic harbours, as infrastructural elements, are neither buildings nor monuments thus typically f...
This is a commissioned critical essay, for participatory arts agency Strange Cargo (UK). It offers a...
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently ...
Illuminated in Folkestone’s Creative Quarter stands the text-sculpture ‘heaven is a place where noth...
Lecture and panel discussion at the Imagined Cites conference as part of Folkestone Triennial 2014. ...
The Pavilion was a temporary timber structure designed for the international collaborative exhibitio...
A public consultation focussed on the Isle of Portland’s ‘loveability’ and the key opportunities and...
Britain’s New Towns are little understood and often misrepresented, but they deserve greater attenti...
In this article we discuss our creative research on and with a contested coastal community on one of...
This article explores and discusses the development of a mapping tool inspired by Charles Renouvier’...
The Illegal Town Plan aims to understand and develop community- based futures for economic and socia...
This article explores and discusses the development of a mapping tool inspired by Charles Renouvier’...
A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum,...
Large-scale re-development of post-industrial sites can easily railroad over the needs or wishes of ...
The project title was taken from one of the 2013 Reith Lectures that was presented by the artist, Gr...
Historic harbours, as infrastructural elements, are neither buildings nor monuments thus typically f...
This is a commissioned critical essay, for participatory arts agency Strange Cargo (UK). It offers a...