A conference titled Women in Asian Theatre was held at the University of Lincoln in September 2013, and papers from that gathering form the core of this issue. The rationale in organizing the conference was to explore differences across Asia and note that theories from Western feminists do not necessarily transfer to Asian models. This conference was a first step toward mapping histories of the female in Asian theatre, and this is a line of inquiry that deserves more attentio
This project extended previous research on the “unruly woman” as depicted in plays by contemporary w...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
East Asia has achieved remarkable economic growth in the past few decades. Coupled with an influx of...
A conference titled Women in Asian Theatre was held at the University of Lincoln in September 2013, ...
The powerful patriarchal forces that discourage or erase female participation in traditional Asian p...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
The articles in this special issue section of PORTAL had their first iteration as presentations in t...
"Performance in Asia" is the second of two themed issues of the International Journal of Asia Pacif...
Book synopsis: Women in Asian Performance offers a vital re-assessment of women's contributions to A...
Gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian actors. Lea...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
In this paper, I will argue for an interdisciplinary and multi-facetted approach to Japanese images ...
Theatre is a location of cultures, the reflection of our daily lives, the present moment we are livi...
The academic study of women in Asia developed in the 1970s as a result of the convergence of the the...
This project extended previous research on the “unruly woman” as depicted in plays by contemporary w...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
East Asia has achieved remarkable economic growth in the past few decades. Coupled with an influx of...
A conference titled Women in Asian Theatre was held at the University of Lincoln in September 2013, ...
The powerful patriarchal forces that discourage or erase female participation in traditional Asian p...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
The articles in this special issue section of PORTAL had their first iteration as presentations in t...
"Performance in Asia" is the second of two themed issues of the International Journal of Asia Pacif...
Book synopsis: Women in Asian Performance offers a vital re-assessment of women's contributions to A...
Gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian actors. Lea...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
In this paper, I will argue for an interdisciplinary and multi-facetted approach to Japanese images ...
Theatre is a location of cultures, the reflection of our daily lives, the present moment we are livi...
The academic study of women in Asia developed in the 1970s as a result of the convergence of the the...
This project extended previous research on the “unruly woman” as depicted in plays by contemporary w...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
East Asia has achieved remarkable economic growth in the past few decades. Coupled with an influx of...