This chapter looks to the churches built in cities of the Ottoman Empire by Armenian communities over the nineteenth century. It compares the Armenian communities and their material culture in the capital of Constantinople with the social and cultural dynamics that led to the production of a markedly different style of churches in the S/E Anatolian cities of Diyarbakir and Antep. It questions what factors determined the appearance of these buildings at this crucial time of change for the communities and how the structures were perceived by their patrons, architects and the local inhabitants. Contrary to the image of the radicalisation and rise of nationalism amongst provincial Armenian communities at this time, the chapter argues that cohe...
This dissertation traces the origin and evolution of the “global Armenian” in the Ottoman Empire foc...
There were numerous churches and monasteries built during the Ottoman Period, in the region called C...
This chapter examines the early stages of the emergence of the so-called ‘national style’ in Bulgari...
This chapter draws attention to the particular adherence to local models of architecture, decoratio...
Current studies on Armenian identity trace Armenian identity to specific historical events, such as ...
This article looks to civil architecture in Bitlis and Erzurum – namely to the Bitlis municipality a...
The Pontic Armenian communities of the nineteenth century were distinguished from those of previous ...
This article discusses the origins and characteristics of the Greek Orthodox churches of Asia Minor ...
Alyson Wharton considers the heritage of Armenian architects and urban elites in the 19th century an...
This dissertation integrates the eastern borderland region of Van into the history of Ottoman modern...
In the Ottoman Empire of the 19th century, craftsmen (sanaatkar) often hailed from the non-dominant ...
In the era of Westernization, also known as Ottoman Modernization, that took place throughout the en...
Report of fieldwork carried out in 2015, funded by British Institute of Archaeology (BIAA), Ankara
Ottoman urban change in the nineteenth century has been associated with two ‘top down’ factors: fir...
The aim of this study is to show that Orientalism is produced by an intersection of multiple discour...
This dissertation traces the origin and evolution of the “global Armenian” in the Ottoman Empire foc...
There were numerous churches and monasteries built during the Ottoman Period, in the region called C...
This chapter examines the early stages of the emergence of the so-called ‘national style’ in Bulgari...
This chapter draws attention to the particular adherence to local models of architecture, decoratio...
Current studies on Armenian identity trace Armenian identity to specific historical events, such as ...
This article looks to civil architecture in Bitlis and Erzurum – namely to the Bitlis municipality a...
The Pontic Armenian communities of the nineteenth century were distinguished from those of previous ...
This article discusses the origins and characteristics of the Greek Orthodox churches of Asia Minor ...
Alyson Wharton considers the heritage of Armenian architects and urban elites in the 19th century an...
This dissertation integrates the eastern borderland region of Van into the history of Ottoman modern...
In the Ottoman Empire of the 19th century, craftsmen (sanaatkar) often hailed from the non-dominant ...
In the era of Westernization, also known as Ottoman Modernization, that took place throughout the en...
Report of fieldwork carried out in 2015, funded by British Institute of Archaeology (BIAA), Ankara
Ottoman urban change in the nineteenth century has been associated with two ‘top down’ factors: fir...
The aim of this study is to show that Orientalism is produced by an intersection of multiple discour...
This dissertation traces the origin and evolution of the “global Armenian” in the Ottoman Empire foc...
There were numerous churches and monasteries built during the Ottoman Period, in the region called C...
This chapter examines the early stages of the emergence of the so-called ‘national style’ in Bulgari...