Against the background of a non-religious understanding of spirituality in the context of consciousness studies, the article analyses the dance practice, understood as embodied philosophy, of Aurelia Baumgartner. The article considers her inspiration, intuitive collaboration with other artists, the concepts of femininity, beauty, and non-linearity central to her practice and thinking, her biography (in terms of training, a pivotal, life-changing, crossroads she encountered at the age of 14 and her heritage), and cultural and philosophical contextualizations
This dissertation investigates different modalities of self-transformation enacted in ritualistic pe...
This research considers dance as the aesthetic expression of the immediacy of the lived body. Dualis...
ABSTRACT Title of dissertation: THE LIVED EXPERIENCE OF BEING IN A SACRED PLACE CONSTRUCT...
We open our issue with ‘Professorial Reflections’ – an informal, but nonetheless productive discussi...
This article analyses ethnographic material gathered in Sweden amongst dancers in the Church of Swed...
Dance and Performing ArtsThis article considers a range of spiritual, psychological and pedagogical ...
Edited by Amanda Williamson, Glenna Batson, Sarah Whately, and Rebecca Weber. Contains a chapter wri...
This article shares academic reflections on applied transcendental and existential phenomenology to ...
In poetic, sensuous and visceral language this article explores how one liturgical dance artist, who...
In this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern d...
This study deals with Bibliodans, a form of improvised dance inspired by texts from the biblical tra...
ABSTRACT Using an art-based research design this study explored a possible link between spirituality...
The main findings on embodied spirituality within the Toronto Blessing are presented in this article...
This study deals with Bibliodans, a form of improvised dance inspired by texts from the biblical tra...
Title from PDF of title page (University of Missouri--Columbia, viewed on Aug. 18, 2010).The entire ...
This dissertation investigates different modalities of self-transformation enacted in ritualistic pe...
This research considers dance as the aesthetic expression of the immediacy of the lived body. Dualis...
ABSTRACT Title of dissertation: THE LIVED EXPERIENCE OF BEING IN A SACRED PLACE CONSTRUCT...
We open our issue with ‘Professorial Reflections’ – an informal, but nonetheless productive discussi...
This article analyses ethnographic material gathered in Sweden amongst dancers in the Church of Swed...
Dance and Performing ArtsThis article considers a range of spiritual, psychological and pedagogical ...
Edited by Amanda Williamson, Glenna Batson, Sarah Whately, and Rebecca Weber. Contains a chapter wri...
This article shares academic reflections on applied transcendental and existential phenomenology to ...
In poetic, sensuous and visceral language this article explores how one liturgical dance artist, who...
In this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern d...
This study deals with Bibliodans, a form of improvised dance inspired by texts from the biblical tra...
ABSTRACT Using an art-based research design this study explored a possible link between spirituality...
The main findings on embodied spirituality within the Toronto Blessing are presented in this article...
This study deals with Bibliodans, a form of improvised dance inspired by texts from the biblical tra...
Title from PDF of title page (University of Missouri--Columbia, viewed on Aug. 18, 2010).The entire ...
This dissertation investigates different modalities of self-transformation enacted in ritualistic pe...
This research considers dance as the aesthetic expression of the immediacy of the lived body. Dualis...
ABSTRACT Title of dissertation: THE LIVED EXPERIENCE OF BEING IN A SACRED PLACE CONSTRUCT...