Essay in the exhibition guide for 'Love is Enough' curated by Jeremy Deller, bringing together rarely seen works by William Morris and Andy Warhol. The exhibition will be presented at Modern Art Oxford, 6 December 2014 - 8 March 2015
A catalogue essay discussing elements of O\u27Toole\u27s practice as it responds to recent contempor...
Essay in Barry Flanagan: Early Works 1965-1982, catalogue published to accompany the exhibition of t...
Nearly 50 contemporary artists have made new artworks in response to a postcard version of Velázquez...
Love is Enough: William Morris and Andy Warhol The Birmingham Museum & Art Gallery 25 April 2015 — 6...
Catalogue essay for Visitor , contemporary and international art exhibition held throughout the camp...
The essay is published in the catalogue, 'Peter Halley since 2000' to accompany the exhibition of th...
This is an essay written for the 'Written on the body' exhibition catalogue to coincide with the exh...
Catalogue essay for 'The Angel's Ear and She Is Love: New Sculpture by Charles Hewlings'. Exhibi...
Publisher's description: From Marcel Duchamp’s ‘Portable Museum’ Boîte-en-valise of the early 194...
A catalogue essay for Paul Coldwell's exhibition, Temporarily Accessioned: Freud’s Coat Revisited, a...
Catalogue essay for exhibition of Peter Halley's work at Waddington Custot Gallery, London in April ...
Exhibition catalogue for 'Vital Signs': The touring exhibition of the 2014 Queensland Regional Art A...
Essay about the artist Maria Nepomuceno in the catalogue to accompany the exhibition 'Tempo para Res...
A critical essay by Jean Wainwright for the 'New Art of Making' exhibition poster. 'The New Art of M...
Catalogue of 23 Special Collections held at Chelsea College of Art & Design Library, including histo...
A catalogue essay discussing elements of O\u27Toole\u27s practice as it responds to recent contempor...
Essay in Barry Flanagan: Early Works 1965-1982, catalogue published to accompany the exhibition of t...
Nearly 50 contemporary artists have made new artworks in response to a postcard version of Velázquez...
Love is Enough: William Morris and Andy Warhol The Birmingham Museum & Art Gallery 25 April 2015 — 6...
Catalogue essay for Visitor , contemporary and international art exhibition held throughout the camp...
The essay is published in the catalogue, 'Peter Halley since 2000' to accompany the exhibition of th...
This is an essay written for the 'Written on the body' exhibition catalogue to coincide with the exh...
Catalogue essay for 'The Angel's Ear and She Is Love: New Sculpture by Charles Hewlings'. Exhibi...
Publisher's description: From Marcel Duchamp’s ‘Portable Museum’ Boîte-en-valise of the early 194...
A catalogue essay for Paul Coldwell's exhibition, Temporarily Accessioned: Freud’s Coat Revisited, a...
Catalogue essay for exhibition of Peter Halley's work at Waddington Custot Gallery, London in April ...
Exhibition catalogue for 'Vital Signs': The touring exhibition of the 2014 Queensland Regional Art A...
Essay about the artist Maria Nepomuceno in the catalogue to accompany the exhibition 'Tempo para Res...
A critical essay by Jean Wainwright for the 'New Art of Making' exhibition poster. 'The New Art of M...
Catalogue of 23 Special Collections held at Chelsea College of Art & Design Library, including histo...
A catalogue essay discussing elements of O\u27Toole\u27s practice as it responds to recent contempor...
Essay in Barry Flanagan: Early Works 1965-1982, catalogue published to accompany the exhibition of t...
Nearly 50 contemporary artists have made new artworks in response to a postcard version of Velázquez...