The radical project ‘an Exhibit’ emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and critic Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer. Comprehensive documentation of the original exhibition is presented alongside coverage of other key projects from the era and contextualised through the detailed analysis of Elena Crippa. Archival texts conveying the different voices of ‘an Exhibit’s three creators and an essay from the time by David Sylvester are accompanied by new contributions by Marti...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
Histories of Exhibition Design in the Museum: Makers, Process, and Practice offers a new model for u...
The exhibition was organised by Hamilton at the ICA for the 1951 Festival of Britain, and reconstruc...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
This introduction offers an accessible historiography of exhibition design and a new, three-part the...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
The output is a curated exhibition called ‘The Radical Decade’, reviewed by Kevin Almond from Univer...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
The output is a curated exhibition called ‘The Radical Decade’, reviewed by Kevin Almond from Univer...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
Histories of Exhibition Design in the Museum: Makers, Process, and Practice offers a new model for u...
The exhibition was organised by Hamilton at the ICA for the 1951 Festival of Britain, and reconstruc...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
The exhibition design has always been – among other design disciplines – one of the most innovative ...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
This introduction offers an accessible historiography of exhibition design and a new, three-part the...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
The output is a curated exhibition called ‘The Radical Decade’, reviewed by Kevin Almond from Univer...
Contemporary interest in artists’ printed ephemera and the restaging of historic exhibitions from th...
The output is a curated exhibition called ‘The Radical Decade’, reviewed by Kevin Almond from Univer...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
This dissertation traces the history of a diagram. The diagram shows four circles of gradually dimin...
Histories of Exhibition Design in the Museum: Makers, Process, and Practice offers a new model for u...