Add to ORKGResearch into war and peace is increasingly concerned with vision and visuality. In this chapter, I consider the value of visual and material culture approaches to new research on war and conflict. These approaches implicate the researcher in a complex set of inquiries into representational, visual and material worlds. Key themes include visual technologies, media images, camouflage, uniform design and the body at war, highlighting the strategic role design and aesthetics play in warfare. A range of examples from various academic studies explore how images, objects and texts mediate modes of seeing, and thus knowing, military institutions and their activities
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
This introduction explores the role played by artistic and cultural responses to conflict in communi...
"Aside from the occasional nod to epaulets or use of camouflage, war and fashion seem to be strange ...
The ‘aesthetic turn’ in IR suggests that research on war and conflict is enriched by a new focus on ...
Twentieth-century war is a unique cultural phenomenon and the last two decades have seen significant...
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary...
This collection of essays explores ways in which visual cultures have engaged with armed conflict an...
This is an introduction for a collection of essays that explores ways in which visual cultures have ...
Political scientists are increasingly engaged with the importance of the “visual turn,” asking quest...
Goals: This course will help students think about the relationships between aesthetics, war, and suf...
This volume, War Matters: Constructing Images of the Other (1930s to 1950s), describes how we unders...
The American Civil War revolutionised visual culture. From 1861 to 1865, soldiers seized upon pictur...
Conficting Visions examines the cultural representation of war, conquest and the military in Britian...
In contrast to political science-based Peace and Conflict Studies, the multidisciplinary curriculum ...
Convergence between the work of the historian or archaeologist and that of writers or artists was a ...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
This introduction explores the role played by artistic and cultural responses to conflict in communi...
"Aside from the occasional nod to epaulets or use of camouflage, war and fashion seem to be strange ...
The ‘aesthetic turn’ in IR suggests that research on war and conflict is enriched by a new focus on ...
Twentieth-century war is a unique cultural phenomenon and the last two decades have seen significant...
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary...
This collection of essays explores ways in which visual cultures have engaged with armed conflict an...
This is an introduction for a collection of essays that explores ways in which visual cultures have ...
Political scientists are increasingly engaged with the importance of the “visual turn,” asking quest...
Goals: This course will help students think about the relationships between aesthetics, war, and suf...
This volume, War Matters: Constructing Images of the Other (1930s to 1950s), describes how we unders...
The American Civil War revolutionised visual culture. From 1861 to 1865, soldiers seized upon pictur...
Conficting Visions examines the cultural representation of war, conquest and the military in Britian...
In contrast to political science-based Peace and Conflict Studies, the multidisciplinary curriculum ...
Convergence between the work of the historian or archaeologist and that of writers or artists was a ...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
This introduction explores the role played by artistic and cultural responses to conflict in communi...
"Aside from the occasional nod to epaulets or use of camouflage, war and fashion seem to be strange ...