Add to ORKGThis paper reflected on Rhodes' doctoral research into 'True Collaboration' using participatory research and co-design to explore collaboration through making with two Cape Town based, craft businesses - Imiso Ceramics and Kunye. Rhodes spoke about gauging impact through the exhibition 'The Craft of Ubuntu: an exploration of collaboration through making' and through innovative stakeholder engagement. The exhibition was an official World Design Capital Cape Town 2014 project and was shown in both South Africa and the UK
This paper describes the exhibition that introduces the Public Collaboration Lab (PCL), a one-year r...
Sociologist Richard Sennet’s recent work Together, the Rituals, Pleasures and Politics of Cooperatio...
This paper explores a large scale international project, Accented Body, which involved partnerships ...
The aim of this research is to examine the role of practice in collaboration between designers and A...
There are many examples of initiatives involving design students collaborating with African artisans...
Funded by an AHRC Collaborative Skills Development Award, this one-day symposium and workshop was he...
Guille builds on her work, which specialises in the development of partnerships around sustainable e...
The chapter analyses the collaborative partnership between a designer maker and a research technolog...
Thesis (MTech (Design))--Cape Peninsula University of Technology, 2015.Design as a field of practice...
The Learning-by-Making (LBM) program at the University of Tasmania has 20 years experience in collab...
Conference paper presented to the Making Futures: The Crafts as Change Maker in Sustainably Aware Cu...
This paper was commissioned by the World Ceramic Exposition Foundation, South Korea on the occasion ...
This paper presents work undertaken by 2nd year BSc Product Design students on a live industrial pr...
The latter half of the 20th century started to embrace the diversity of knowledge and the forms in w...
Jessica Hemmings, Editor, writes: Sarah Rhodes is a designer, jeweller and PhD candidate at Centr...
This paper describes the exhibition that introduces the Public Collaboration Lab (PCL), a one-year r...
Sociologist Richard Sennet’s recent work Together, the Rituals, Pleasures and Politics of Cooperatio...
This paper explores a large scale international project, Accented Body, which involved partnerships ...
The aim of this research is to examine the role of practice in collaboration between designers and A...
There are many examples of initiatives involving design students collaborating with African artisans...
Funded by an AHRC Collaborative Skills Development Award, this one-day symposium and workshop was he...
Guille builds on her work, which specialises in the development of partnerships around sustainable e...
The chapter analyses the collaborative partnership between a designer maker and a research technolog...
Thesis (MTech (Design))--Cape Peninsula University of Technology, 2015.Design as a field of practice...
The Learning-by-Making (LBM) program at the University of Tasmania has 20 years experience in collab...
Conference paper presented to the Making Futures: The Crafts as Change Maker in Sustainably Aware Cu...
This paper was commissioned by the World Ceramic Exposition Foundation, South Korea on the occasion ...
This paper presents work undertaken by 2nd year BSc Product Design students on a live industrial pr...
The latter half of the 20th century started to embrace the diversity of knowledge and the forms in w...
Jessica Hemmings, Editor, writes: Sarah Rhodes is a designer, jeweller and PhD candidate at Centr...
This paper describes the exhibition that introduces the Public Collaboration Lab (PCL), a one-year r...
Sociologist Richard Sennet’s recent work Together, the Rituals, Pleasures and Politics of Cooperatio...
This paper explores a large scale international project, Accented Body, which involved partnerships ...