Albert Hunt famously had Hopes for Great Happenings in education: this paper begins by noting that any hope for such ambitious transformation is currently in rather short supply in today’s art schools, affected as they are by dominant neoliberal agendas. For students there is the marketisation of education, with its shifting of the fees burden onto individuals: sold the dream of a perfect creative future via the touting of star alumni on recruitment websites, the reality is that many graduates will simply find themselves joining an ever expanding economic ‘precariat’. For lecturers, meanwhile, there has developed a form of what sociologist Andrew Whelan has termed ‘organisational sociopathy’ in the professional and research agenda, whereby ...
In 1956 The Whitechapel Gallery, London, hosted the exhibition This is Tomorrow led by the Independe...
The contributions included in this special issue focus on critical, cultural and historical perspect...
Rethinking philosophically around art, artists and pedagogy does not offer one simple way forward. R...
In his 2009 book Art School (Propositions for the 21st Century) Steven Henry Madoff affirmed his bel...
How can we best support fine art students whom, for a variety of reasons, have difficulty negotiatin...
This paper will explore the impact professional practice in art school could have on the critical an...
This paper will consider the issue of creating and sustaining an effective learning environment for ...
The 21st century has been witness to many changes in the ways in which students experience universit...
Across the OECD, discussions are taking place amongst policymakers, educational managers and educati...
Across the OECD, discussions are taking place amongst policymakers, educational managers and educati...
What benefits can art bring to schools? This is a particularly urgent question today when changes to...
Whilst still lower than in the US, rising student fees have come as a shock to the British art educa...
In this paper I argue that the Art School, in its various incarnations throughout the 19th and 20th ...
In this paper I argue that the Art School, in its various incarnations throughout the 19th and 20th ...
In recent years, the education of the artist has become one of the most intractable problems being d...
In 1956 The Whitechapel Gallery, London, hosted the exhibition This is Tomorrow led by the Independe...
The contributions included in this special issue focus on critical, cultural and historical perspect...
Rethinking philosophically around art, artists and pedagogy does not offer one simple way forward. R...
In his 2009 book Art School (Propositions for the 21st Century) Steven Henry Madoff affirmed his bel...
How can we best support fine art students whom, for a variety of reasons, have difficulty negotiatin...
This paper will explore the impact professional practice in art school could have on the critical an...
This paper will consider the issue of creating and sustaining an effective learning environment for ...
The 21st century has been witness to many changes in the ways in which students experience universit...
Across the OECD, discussions are taking place amongst policymakers, educational managers and educati...
Across the OECD, discussions are taking place amongst policymakers, educational managers and educati...
What benefits can art bring to schools? This is a particularly urgent question today when changes to...
Whilst still lower than in the US, rising student fees have come as a shock to the British art educa...
In this paper I argue that the Art School, in its various incarnations throughout the 19th and 20th ...
In this paper I argue that the Art School, in its various incarnations throughout the 19th and 20th ...
In recent years, the education of the artist has become one of the most intractable problems being d...
In 1956 The Whitechapel Gallery, London, hosted the exhibition This is Tomorrow led by the Independe...
The contributions included in this special issue focus on critical, cultural and historical perspect...
Rethinking philosophically around art, artists and pedagogy does not offer one simple way forward. R...