Founded in 1780, the Society of Antiquaries of Scotland began immediately to form a museum that has survived remarkably intact within the National Museums of Scotland. Their initiative marked a significant point in the evolution of material culture studies between the “cabinet of curiosities” of the Renaissance and the large public museums of the nineteenth and twentieth centuries. An exploration of the Society’s work and ethos in its early years points to the emergence of a distinctive “Scottish History” of collections and a greater significance for the evidence of material culture than has been conventionally accorded it in conventional scholarly discourses
From the mid-1960s a new breed of scientific instrument curators emerged in the United Kingdom. This...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of Scotland, 13 Octo...
My thanks to Iain Milne, Head of Heritage and Sibbald Librarian at the Royal College of Physicians o...
This thesis critically examines the interface between the expansion of the Scottish historical colle...
Disciplinary boundaries are inevitable within a complex academic system and as those boundaries shif...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of ~Scotland, 13 Oct...
National museums are spaces where stories of the past are told through the display and interpretati...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of Scotland, 13 Octo...
The elaborately carved Hilton of Cadboll stone, the house-shaped Monymusk Reliquary and the sumptuou...
National Cultures construct identities by producing meanings about the nation with which we can iden...
The National Museum of Scotland (forthwith \u27Museum\u27) opened to critical acclaim on St Andrew\u...
Hamish Torrie FSAScot, The Glenmorangie Company, Dr Adrian Maldonado, National Museums Scotland, and...
Historical archaeology as practiced in Scotland is divergent from the mainstream tradition of histo...
Since devolution in 1997 Scotland has been a nation increasingly conscious of its national brand. F...
Despite their ubiquity and position as crucial components within the history of modern museum displa...
From the mid-1960s a new breed of scientific instrument curators emerged in the United Kingdom. This...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of Scotland, 13 Octo...
My thanks to Iain Milne, Head of Heritage and Sibbald Librarian at the Royal College of Physicians o...
This thesis critically examines the interface between the expansion of the Scottish historical colle...
Disciplinary boundaries are inevitable within a complex academic system and as those boundaries shif...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of ~Scotland, 13 Oct...
National museums are spaces where stories of the past are told through the display and interpretati...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of Scotland, 13 Octo...
The elaborately carved Hilton of Cadboll stone, the house-shaped Monymusk Reliquary and the sumptuou...
National Cultures construct identities by producing meanings about the nation with which we can iden...
The National Museum of Scotland (forthwith \u27Museum\u27) opened to critical acclaim on St Andrew\u...
Hamish Torrie FSAScot, The Glenmorangie Company, Dr Adrian Maldonado, National Museums Scotland, and...
Historical archaeology as practiced in Scotland is divergent from the mainstream tradition of histo...
Since devolution in 1997 Scotland has been a nation increasingly conscious of its national brand. F...
Despite their ubiquity and position as crucial components within the history of modern museum displa...
From the mid-1960s a new breed of scientific instrument curators emerged in the United Kingdom. This...
Based on the exhibition Scotland's Early Silver, opening at the National Museum of Scotland, 13 Octo...
My thanks to Iain Milne, Head of Heritage and Sibbald Librarian at the Royal College of Physicians o...