Gravity Shift is a video installation that looks at how we might read gravity through witnessing another body. It aims to decentre the viewer's relationship to the installation through presentation of a dancer whose movement is affected by a moving pull of gravity. Variation of Gravity The direction of gravity perceived by an audience remains a constant downwards in live dance and performance. Though there are countless theatrical techniques that try to defy this (aerial flying wires, balletic techniques etc), performers are inevitably subservient to omnipresent attraction exerted by gravity. In live performance both audience and performers experience this pull creating a universal sense of “down” both on and off stage. This shared sensatio...
Gravity understood scientifically is normally accepted as a dictate, however when encountered creati...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...
When we move along in time with a piece of music, we synchronise the downward phase of our gesture w...
Weighting is a kinetic video installation which attempts to realise what initially seems to be an im...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
My research investigates choreography that uses the kinesthetic experience of making visual art to i...
This is an open-instrumentation work written in graphic notation. Each music gesture is specific in ...
Sandiland explores the nature of human movement in intermedial spaces, hybrid areas where immediate ...
An interactive video installation questioning the Cartesian belief that movement is experienced with...
Shifting Intimacies is a large-scale interactive/media artwork created during a six-month research r...
The central project of contemporary dance has been to create a spatiotemporal poetics of the body ba...
The fear of falling which choreographer Kitsou Dubois states 'is ingrained in the memory of the body...
Light comprises our visual perception that lets us experience and understand our surroundings. By st...
Vertical dance is a new and collaborative form of dance that typically utilises rock climbing equipm...
Project ‘FLOW’ delves into the captivating concept of "flow" in dance by utilising motion capture te...
Gravity understood scientifically is normally accepted as a dictate, however when encountered creati...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...
When we move along in time with a piece of music, we synchronise the downward phase of our gesture w...
Weighting is a kinetic video installation which attempts to realise what initially seems to be an im...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
My research investigates choreography that uses the kinesthetic experience of making visual art to i...
This is an open-instrumentation work written in graphic notation. Each music gesture is specific in ...
Sandiland explores the nature of human movement in intermedial spaces, hybrid areas where immediate ...
An interactive video installation questioning the Cartesian belief that movement is experienced with...
Shifting Intimacies is a large-scale interactive/media artwork created during a six-month research r...
The central project of contemporary dance has been to create a spatiotemporal poetics of the body ba...
The fear of falling which choreographer Kitsou Dubois states 'is ingrained in the memory of the body...
Light comprises our visual perception that lets us experience and understand our surroundings. By st...
Vertical dance is a new and collaborative form of dance that typically utilises rock climbing equipm...
Project ‘FLOW’ delves into the captivating concept of "flow" in dance by utilising motion capture te...
Gravity understood scientifically is normally accepted as a dictate, however when encountered creati...
Through a consideration of audience experience of embodiment in\ud contemporary dance performance, t...
When we move along in time with a piece of music, we synchronise the downward phase of our gesture w...