This talk accompanied an exhibition entitled "Stitch: the art and craft of home-making", held at the Museum of Domestic Design & Architecture in 2003.The paper reflected on the process of curating the exhibition, and explored ideas of 'home' and 'home-making', creativity, identity and memory, as well as discussing the theoretical challenges associated with exhibiting 'the ordinary'
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for un...
The Telling Stitch, a solo exhibition for Art Language Location, Cambridge, presented three works th...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
This paper aims to investigate the ways in which the makers of home craft negotiate the meanings of ...
The aim of this project is to investigate the cultural significance of home craft in contemporary Br...
The first of two special issues on Exhibiting Craft: Histories, Contexts, PracticesIssue 1: Exhibiti...
Imogen Hart, Claire Jones and Inês Jorge, ‘Introduction’, Special Issue Exhibiting Craft: Histories,...
This exhibition looks at the separate cultural embroidery traditions of Madeira and UK. It investiga...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
The exhibition travelled to Williamson Art Gallery & Museum, Wirral, UK; Dutch Textile Museum, Tilbu...
The heart of this thesis was the exhibition in which I designed and created a room and ceramic piece...
THIS BOOK: Textiles form the largest group of designed objects available for study, whether as objec...
Through the exhibition implicit conceptions of home held by the participating artists and those view...
Putting the Art into Craft: The Craftsman’s Art exhibition, 1973 The 1970s were a unique period for...
Through practice-based research, this project investigates the visual, structural and affective prop...
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for un...
The Telling Stitch, a solo exhibition for Art Language Location, Cambridge, presented three works th...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
This paper aims to investigate the ways in which the makers of home craft negotiate the meanings of ...
The aim of this project is to investigate the cultural significance of home craft in contemporary Br...
The first of two special issues on Exhibiting Craft: Histories, Contexts, PracticesIssue 1: Exhibiti...
Imogen Hart, Claire Jones and Inês Jorge, ‘Introduction’, Special Issue Exhibiting Craft: Histories,...
This exhibition looks at the separate cultural embroidery traditions of Madeira and UK. It investiga...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
The exhibition travelled to Williamson Art Gallery & Museum, Wirral, UK; Dutch Textile Museum, Tilbu...
The heart of this thesis was the exhibition in which I designed and created a room and ceramic piece...
THIS BOOK: Textiles form the largest group of designed objects available for study, whether as objec...
Through the exhibition implicit conceptions of home held by the participating artists and those view...
Putting the Art into Craft: The Craftsman’s Art exhibition, 1973 The 1970s were a unique period for...
Through practice-based research, this project investigates the visual, structural and affective prop...
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for un...
The Telling Stitch, a solo exhibition for Art Language Location, Cambridge, presented three works th...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...