Add to ORKGJulian Hopwood writes about an unsettling event on the field that led him to reflect on mob justice and the complicated moral and political territory it finds itself
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
First paragraph: It’s a common observation thatBlade Runnerinspires us to reflect on what it m...
Sarah Leavitt is an artist, cartoonist and writer, and a member of the Creative Writing Department a...
An historical afterword to the short story 'The Cap of Liberty' by Martin Edward
An Invited blog from the journal Mental Health and Social Inclusion (2042-8308) which queries the co...
Book section in book mapping Freee art collective recent practice. Editorial section and interview w...
This essay explores the speech act of dogwhistling (sometimes referred to as ‘using coded language’)...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Julian Hopwood reflects in this 2 part series blog on matters of evidence in both the Ugandan justic...
This article emerges from the author’s work on translating a selection of folktales collected by the...
Perseverance. That\u27s the word my fraternity brother, who was already in line to vote, loudly and ...
Professor Cranfield contributes three short biblical reflections: considering points of contact b...
The traditional view in epistemology is that we must distinguish between being rational and being ri...
Institutions and organizations are defined by competing sociomaterial logics. Divergence between the...
As the countdown to the withdrawal of the Africa Union's peacekeeping force in Somalia continues, Br...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
First paragraph: It’s a common observation thatBlade Runnerinspires us to reflect on what it m...
Sarah Leavitt is an artist, cartoonist and writer, and a member of the Creative Writing Department a...
An historical afterword to the short story 'The Cap of Liberty' by Martin Edward
An Invited blog from the journal Mental Health and Social Inclusion (2042-8308) which queries the co...
Book section in book mapping Freee art collective recent practice. Editorial section and interview w...
This essay explores the speech act of dogwhistling (sometimes referred to as ‘using coded language’)...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Julian Hopwood reflects in this 2 part series blog on matters of evidence in both the Ugandan justic...
This article emerges from the author’s work on translating a selection of folktales collected by the...
Perseverance. That\u27s the word my fraternity brother, who was already in line to vote, loudly and ...
Professor Cranfield contributes three short biblical reflections: considering points of contact b...
The traditional view in epistemology is that we must distinguish between being rational and being ri...
Institutions and organizations are defined by competing sociomaterial logics. Divergence between the...
As the countdown to the withdrawal of the Africa Union's peacekeeping force in Somalia continues, Br...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
First paragraph: It’s a common observation thatBlade Runnerinspires us to reflect on what it m...
Sarah Leavitt is an artist, cartoonist and writer, and a member of the Creative Writing Department a...