This issue, guest edited by Bethan Carney and Catherine Waters, re-examines the notorious Trollopian critique of Charles Dickens as ‘Mr Popular Sentiment’, investigating both the complex affective power of his writing and the strong and divided emotional responses it has elicited. As well as essays exploring fiction, journalism, letters, memoirs, portraits and a range of other forms of material culture, it includes a Forum on ‘Bicentennial Sentiment: Dickens and Feeling Now’. The contributions to this issue invite us to reconsider how we feel about Dickens and about Dickensian feeling 200 years after his birth
This paper examines Dickens’s descriptions of public executions in his letters and early journalism ...
Beginning with Martin Meisel's account of theatrical and fictional tableaux as 'effects', this artic...
This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. Dur...
The introduction to this issue of '19', ‘“Mr Popular Sentiment”: Dickens and Feeling’, considers the...
This piece considers some of the negative feelings about Dickens and his work circulating in this bi...
Since his death in 1870, Dickens’s popularity has been sustained most obviously by the ubiquity of h...
This article brings a creative-critical approach to bear on my long, and evolving, relationship with...
Dickens is a prominent figure in neo-Victorian fiction. Indeed, ‘neo-Dickensian’ features as a sub-c...
In the ‘Concluding Chapter’ of his 'Memoirs of Joseph Grimaldi' (1838), Charles Dickens describes Gr...
This essay explores the ways in which sentimentality is manifested through the visible, and through ...
To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction...
Charles Dickens, a man so representative of his age as to have become considered synonymous with it,...
This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. Dur...
This essay explores the ways in which sentimentality is manifested through the visible, and through ...
The essays collected within this volume document the response of many European scholars to the art o...
This paper examines Dickens’s descriptions of public executions in his letters and early journalism ...
Beginning with Martin Meisel's account of theatrical and fictional tableaux as 'effects', this artic...
This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. Dur...
The introduction to this issue of '19', ‘“Mr Popular Sentiment”: Dickens and Feeling’, considers the...
This piece considers some of the negative feelings about Dickens and his work circulating in this bi...
Since his death in 1870, Dickens’s popularity has been sustained most obviously by the ubiquity of h...
This article brings a creative-critical approach to bear on my long, and evolving, relationship with...
Dickens is a prominent figure in neo-Victorian fiction. Indeed, ‘neo-Dickensian’ features as a sub-c...
In the ‘Concluding Chapter’ of his 'Memoirs of Joseph Grimaldi' (1838), Charles Dickens describes Gr...
This essay explores the ways in which sentimentality is manifested through the visible, and through ...
To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction...
Charles Dickens, a man so representative of his age as to have become considered synonymous with it,...
This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. Dur...
This essay explores the ways in which sentimentality is manifested through the visible, and through ...
The essays collected within this volume document the response of many European scholars to the art o...
This paper examines Dickens’s descriptions of public executions in his letters and early journalism ...
Beginning with Martin Meisel's account of theatrical and fictional tableaux as 'effects', this artic...
This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. Dur...