Academic interest in hysteria has burgeoned in recent decades. The topic has been probed by feminist theorists, cultural studies specialists, literary scholars, anthropologists, sociologists, psychologists, medical and art historians, as well as novelists. The hysteric is construed as a powerless, voiceless subject, marginalised by the forces of the patriarchy that have been the root cause of their distress, dissembling, and disablement. In Performing Nerves, Anna Furse interweaves her artistic and academic practice, drawing on her own performance texts to explore four different versions of debilitating hysteric suffering. Each text is extensively annotated, revealing the dramaturgical logic and, in turn, the historical, medical, and cu...
This dissertation discusses the operatic mad scene of Ophelia (or, Ophélie) in Michel Carré, Jules B...
Fear is a powerful, unifying emotional experience. Art that stimulates a fear response in its audie...
Trauma-Tragedy investigates the extent to which performance can represent the ‘unrepresentable’ of t...
This Project comprises a book of Furse's 4 Hysteria playtexts - all of which have been performed in ...
This work asks the question, primarily: what kind of performance is the hysterical attack? And what ...
This thesis will examine three plays written by three female American playwrights of the early twent...
Despite its disappearance from the diagnostic manuals and the consulting room, hysteria has had a re...
For centuries, theatre artists have been creating works of art that embody the human experience. Af...
Cross-disciplinary analysis of contemporary images and representations of hysteria We seem to be liv...
Few life occurrences shaped individual and collective identities within Victorian society as critica...
Hysteria is an outdated diagnosis for a neurotic condition where the patient manifests psychic traum...
This chapter focuses on the text of the play rather than on an engagement with it in performance but...
Performing Psychologies offers new perspectives on arts and health, focussing on the different ways ...
Hysteria is a quite common phenomenon that prevailed in the twentieth century literature, as such, f...
This dissertation examines the woman\u27s part in dramatic representation as a hysterical construct ...
This dissertation discusses the operatic mad scene of Ophelia (or, Ophélie) in Michel Carré, Jules B...
Fear is a powerful, unifying emotional experience. Art that stimulates a fear response in its audie...
Trauma-Tragedy investigates the extent to which performance can represent the ‘unrepresentable’ of t...
This Project comprises a book of Furse's 4 Hysteria playtexts - all of which have been performed in ...
This work asks the question, primarily: what kind of performance is the hysterical attack? And what ...
This thesis will examine three plays written by three female American playwrights of the early twent...
Despite its disappearance from the diagnostic manuals and the consulting room, hysteria has had a re...
For centuries, theatre artists have been creating works of art that embody the human experience. Af...
Cross-disciplinary analysis of contemporary images and representations of hysteria We seem to be liv...
Few life occurrences shaped individual and collective identities within Victorian society as critica...
Hysteria is an outdated diagnosis for a neurotic condition where the patient manifests psychic traum...
This chapter focuses on the text of the play rather than on an engagement with it in performance but...
Performing Psychologies offers new perspectives on arts and health, focussing on the different ways ...
Hysteria is a quite common phenomenon that prevailed in the twentieth century literature, as such, f...
This dissertation examines the woman\u27s part in dramatic representation as a hysterical construct ...
This dissertation discusses the operatic mad scene of Ophelia (or, Ophélie) in Michel Carré, Jules B...
Fear is a powerful, unifying emotional experience. Art that stimulates a fear response in its audie...
Trauma-Tragedy investigates the extent to which performance can represent the ‘unrepresentable’ of t...