If Ossian validated the Highland landscape for eighteenth-century tourists, the landscape, in turn, seemed to authenticate poems whose authenticity never ceased to be doubted; but text and topography alike ran the risk of dissolving into insubstantiality. Many tourists cited ‘local tradition’ in order to embroider existing (or to invent new) Fingalian place-names. Ranging over a wide variety of eighteenth-century travel-writers, this article casts new light on the relations between Ossian, travel-writing and Highland topography. It concludes by discussing the ‘fieldwork’ tradition of Ossianic tourism after 1800, which sought out local tradition bearers, rather than attempting to authenticate Macpherson's ‘translations’
This article discusses the ways in which James Macpherson's Poems of Ossian engage with other litera...
Scotland’s tourist industry relies on the currency of essentialised, and highly marketable, vision o...
Ossian scholarship has moved beyond questions of forgery and authenticity to consider the poems’ int...
In the spring of 1802, the painter Anne-Louis Girodet de Roussy de Trioson first exhibited his Ossia...
Describes the digital mapping element in a collaborative AHRC-funded project Curious Travellers, tha...
In the early modern period, Scotland and particularly the Highlands were among the least-known regio...
Describes the digital mapping element in a collaborative AHRC-funded project Curious Travellers, tha...
Review and discussion of Nigel Leask, Stepping Westward: Writing the Highland Tour c.1720-1830 (Oxfo...
When James Macpherson's Fragments of Ancient Poetry, Collected in the Highlands of Scotland, and Tra...
The romance of the Scottish Highlands came into existence as a theme within the ideology which gove...
This article explores the formation of British imperial identity through a focus on the career of Si...
This thesis will explore the influence of The Poems of Ossian and the subsequent Ossianic debate on ...
Scotland’s tourist industry relies on the currency of essentialised, and highly marketable, vision o...
Scotland, and Translated from the Galic or Erse Language appeared in 1760, it was greeted with wides...
Stepping Westward is the first book dedicated to the literature of the Scottish Highland tour of 172...
This article discusses the ways in which James Macpherson's Poems of Ossian engage with other litera...
Scotland’s tourist industry relies on the currency of essentialised, and highly marketable, vision o...
Ossian scholarship has moved beyond questions of forgery and authenticity to consider the poems’ int...
In the spring of 1802, the painter Anne-Louis Girodet de Roussy de Trioson first exhibited his Ossia...
Describes the digital mapping element in a collaborative AHRC-funded project Curious Travellers, tha...
In the early modern period, Scotland and particularly the Highlands were among the least-known regio...
Describes the digital mapping element in a collaborative AHRC-funded project Curious Travellers, tha...
Review and discussion of Nigel Leask, Stepping Westward: Writing the Highland Tour c.1720-1830 (Oxfo...
When James Macpherson's Fragments of Ancient Poetry, Collected in the Highlands of Scotland, and Tra...
The romance of the Scottish Highlands came into existence as a theme within the ideology which gove...
This article explores the formation of British imperial identity through a focus on the career of Si...
This thesis will explore the influence of The Poems of Ossian and the subsequent Ossianic debate on ...
Scotland’s tourist industry relies on the currency of essentialised, and highly marketable, vision o...
Scotland, and Translated from the Galic or Erse Language appeared in 1760, it was greeted with wides...
Stepping Westward is the first book dedicated to the literature of the Scottish Highland tour of 172...
This article discusses the ways in which James Macpherson's Poems of Ossian engage with other litera...
Scotland’s tourist industry relies on the currency of essentialised, and highly marketable, vision o...
Ossian scholarship has moved beyond questions of forgery and authenticity to consider the poems’ int...