Add to ORKG275 x 218 mm. Showing Brahmins and a fakir posed beside two carved images, one of the god Siva (in jewelled armour and carrying a bow and arrow) and one of a peacock
A polylobate frame, clearly of Muslim inspiration, has been incised above a group portraying Siva wi...
Main Hall, south of the west entrance; Kalyanasundara panel, the divine marriage of Shiva and Parvat...
The pillars of the temple are decorated with friezes telling stories from the Mahabharata and Ramaya...
Example of ornate type of portal now appearing, Projecting lintel-cornice overhangs the elaborate fr...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
In the middle of the lintel, supported by a dwarf, sits Siva, whose linga, of polished stone, is ins...
Kailasnath [sic] was dedicated primarily to Sivahowever, included in the imagery of this god is the ...
We suggested above that Pala-Sena art underwent several changes during its transition from an imitat...
The triune image is that of Siva manifest as quiddity (Tatpurusa), in the central face. Together wit...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of ...
(Rowland, p. 188) The representation of Siva's Wedding is a timeless scene of bliss, its setting a d...
Detail of kirttimukha headdress and fangs in the mouth; Dvarapala (Sanskrit) is a door or gate guard...
Kailasnath [sic] marks the victory of Brahmanism over Buddhism at Ellora in terms of imagery, H. Zim...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
A polylobate frame, clearly of Muslim inspiration, has been incised above a group portraying Siva wi...
Main Hall, south of the west entrance; Kalyanasundara panel, the divine marriage of Shiva and Parvat...
The pillars of the temple are decorated with friezes telling stories from the Mahabharata and Ramaya...
Example of ornate type of portal now appearing, Projecting lintel-cornice overhangs the elaborate fr...
Here on a pillar in the temple at Madurai, is an image combining Vishnu and Siva, the two great gods...
In the middle of the lintel, supported by a dwarf, sits Siva, whose linga, of polished stone, is ins...
Kailasnath [sic] was dedicated primarily to Sivahowever, included in the imagery of this god is the ...
We suggested above that Pala-Sena art underwent several changes during its transition from an imitat...
The triune image is that of Siva manifest as quiddity (Tatpurusa), in the central face. Together wit...
Elephanta is an island in the Bay of Bombay and was a capital city at one time, conquered by both th...
Dakshinamuti is the patron of the South Indian brahmans, Vina-Dhara (the lyre-player) the patron of ...
(Rowland, p. 188) The representation of Siva's Wedding is a timeless scene of bliss, its setting a d...
Detail of kirttimukha headdress and fangs in the mouth; Dvarapala (Sanskrit) is a door or gate guard...
Kailasnath [sic] marks the victory of Brahmanism over Buddhism at Ellora in terms of imagery, H. Zim...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
A polylobate frame, clearly of Muslim inspiration, has been incised above a group portraying Siva wi...
Main Hall, south of the west entrance; Kalyanasundara panel, the divine marriage of Shiva and Parvat...
The pillars of the temple are decorated with friezes telling stories from the Mahabharata and Ramaya...