This volume contains selected papers of a conference in 2004 at Utrecht University on aesthetics as a religious factor in Eastern and Western Christianity. They discuss the role of aesthetics in the presentation and expression of Christian faith in Catholic and Orthodox tradition. During its history Christianity has produced many works of art: church architecture, iconography, painting, music and literary texts. And in Orthodoxy beauty has always been the main form of religious expression, more than verbal presentation of Christian teaching, which is embedded in the aesthetic context of liturgy. In Christian theology beauty has often been seen as a form of divine revelation, related to the mystery of incarnation. The relation between aesthe...
Knapp L. Religious Experience as Aesthetic Experience. In: Dorpmüller S, Scholz J, Stille M, Weinric...
Beauty and art, specifically religious art is one of the most brilliant and mysterious aspect of hum...
A human being is essentially homo aestheticus and not in the first place homo faber. In the light of...
The experience of beauty is an important part of the Holy Tradition of the Eastern Church. From the ...
There are still voices that remind one of the role that sacred art. Beauty’s mystery and divinity br...
This thesis begins a dialogue between Hans Urs von Balthasar’s theological aesthetics and Chinese a...
This book started life as notes for the undergraduate module ‘Religious aesthetics’ and draws on res...
This article offers a brief introduction on the development of, and key themes in the dialogue and i...
The article deals with the main concepts and basic concepts of Hindu aesthetics. The problem area re...
The article deals with the specifics of the Christian art, which is based on the spiritual and moral...
This article will demonstrate why beauty is an important value for the Christian faith. This is done...
There have been many histories of Christian art and architecture, and many that have paid attention ...
The paper approaches the ontological-epistemology aspects of the beauty of Byzantine art. Byzantine ...
This work proposes to look at the role of aesthetics within Christian theodicy. Though the recent th...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
Knapp L. Religious Experience as Aesthetic Experience. In: Dorpmüller S, Scholz J, Stille M, Weinric...
Beauty and art, specifically religious art is one of the most brilliant and mysterious aspect of hum...
A human being is essentially homo aestheticus and not in the first place homo faber. In the light of...
The experience of beauty is an important part of the Holy Tradition of the Eastern Church. From the ...
There are still voices that remind one of the role that sacred art. Beauty’s mystery and divinity br...
This thesis begins a dialogue between Hans Urs von Balthasar’s theological aesthetics and Chinese a...
This book started life as notes for the undergraduate module ‘Religious aesthetics’ and draws on res...
This article offers a brief introduction on the development of, and key themes in the dialogue and i...
The article deals with the main concepts and basic concepts of Hindu aesthetics. The problem area re...
The article deals with the specifics of the Christian art, which is based on the spiritual and moral...
This article will demonstrate why beauty is an important value for the Christian faith. This is done...
There have been many histories of Christian art and architecture, and many that have paid attention ...
The paper approaches the ontological-epistemology aspects of the beauty of Byzantine art. Byzantine ...
This work proposes to look at the role of aesthetics within Christian theodicy. Though the recent th...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
Knapp L. Religious Experience as Aesthetic Experience. In: Dorpmüller S, Scholz J, Stille M, Weinric...
Beauty and art, specifically religious art is one of the most brilliant and mysterious aspect of hum...
A human being is essentially homo aestheticus and not in the first place homo faber. In the light of...