The currently standard approach to fiction is to define it in terms of imagination. I have argued elsewhere (Friend 2008) that no conception of imagining is sufficient to distinguish a response appropriate to fiction as opposed to non-fiction. In her contribution Kathleen Stock seeks to refute this objection by providing a more sophisticated account of the kind of propositional imagining prescribed by so-called ‘fictive utterances’. I argue that although Stock's proposal improves on other theories, it too fails to provide an adequate criterion of fictionality. I conclude by sketching an alternative account according to which fiction is a genre
This chapter explores the view that the contents of fictions and non-fictions are generated in the s...
What does it mean for a proposition to be "true in a fiction"? According to the account offered by K...
Standard theories define fiction in terms of an invited response of imagining or make-believe. I arg...
The currently standard approach to fiction is to define it in terms of imagination. I have argued el...
In this paper, first of all, I want to try a new defense of the utterance approach as to the relatio...
This book argues that there is no special link between fiction and the imagination. It follows that ...
This chapter has three aims. Firstly, it elaborates the so-called pragmatic approach to fi...
A popular approach to defining fictive utterance says that, necessarily, it is intended to produce i...
Only Imagine is a wonderful book. Clear and tersely written, it provides a compelling defence of a r...
What is fiction? It permeates contemporary life: via novels we read, stories we tell, box-sets we wa...
In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, ...
The distinction between fiction and non-fiction, between a text that is true and one that is not, is...
Standard theories define fiction in terms of an invited response of imagining or make-believe. I arg...
The concept of fictionality has been undermined by developments in two distinct areas of research in...
The first goal of this thesis is to propose a satisfying philosophical theory on the nature of ficti...
This chapter explores the view that the contents of fictions and non-fictions are generated in the s...
What does it mean for a proposition to be "true in a fiction"? According to the account offered by K...
Standard theories define fiction in terms of an invited response of imagining or make-believe. I arg...
The currently standard approach to fiction is to define it in terms of imagination. I have argued el...
In this paper, first of all, I want to try a new defense of the utterance approach as to the relatio...
This book argues that there is no special link between fiction and the imagination. It follows that ...
This chapter has three aims. Firstly, it elaborates the so-called pragmatic approach to fi...
A popular approach to defining fictive utterance says that, necessarily, it is intended to produce i...
Only Imagine is a wonderful book. Clear and tersely written, it provides a compelling defence of a r...
What is fiction? It permeates contemporary life: via novels we read, stories we tell, box-sets we wa...
In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, ...
The distinction between fiction and non-fiction, between a text that is true and one that is not, is...
Standard theories define fiction in terms of an invited response of imagining or make-believe. I arg...
The concept of fictionality has been undermined by developments in two distinct areas of research in...
The first goal of this thesis is to propose a satisfying philosophical theory on the nature of ficti...
This chapter explores the view that the contents of fictions and non-fictions are generated in the s...
What does it mean for a proposition to be "true in a fiction"? According to the account offered by K...
Standard theories define fiction in terms of an invited response of imagining or make-believe. I arg...