‘Representation’ is one of the key cultural practices through which meanings are produced and exchanged (e.g. Hall 1997; Giles and Middleton 2008). Culturally-defined systems of representation incorporate a wide variety of signifying practices and media. The broadly shared meanings encoded in these expressive forms are made sense of and connected by the social practice of discourse. Through this, dominant conventions, meanings, ideologies, and power relations can be accepted, negotiated, or opposed. Who represents whom, what, where, and how determines the representations available for us. But precisely how we interpret them (especially in terms of what they mean to our personal identities, emotions, and attachments) depends upon the realiti...
The term ‘fetish’ has been used since the sixteenth century to refer to indigenous ‘power objects’, ...
Archaeological representation is a relatively new field of inquiry in the discipline, focusing on th...
This article summarises recent work on the engagement between art and archaeology, but seeks to embe...
This paper examines transformations in the form and significance of visual material in Neolithic Apu...
The ‘symbolic capacity’ has come to be seen as a core trait of anatomically modern humans, and proba...
This chapter critically synthesizes the growing literature relating to the archaeology of the senses...
There is a lack of detailed research into the attitudes of the public in Britain to the Roman past. ...
This brief update introduces the framework of a newly funded research project entitled ‘Iron Age and...
How can archaeologists interpret ancient art and images if they do not treat them as symbols or sign...
Museums and Archaeology brings together a wide, but carefully chosen, selection of literature from a...
Contents Chapter 1: Introduction: A Review Of Contemporary Theoretical Debates In Archaeology Ian Ho...
Representations seeks to transform and enrich the understanding of cultures. Our central interests l...
Writing is the means by which archaeological knowledge is produced, shared and negotiated, which is ...
Archaeologists have struggled for more than a century to explain why the first representational art ...
The concept of aesthetics has long been marginalized in archaeology. It was originally formulated in...
The term ‘fetish’ has been used since the sixteenth century to refer to indigenous ‘power objects’, ...
Archaeological representation is a relatively new field of inquiry in the discipline, focusing on th...
This article summarises recent work on the engagement between art and archaeology, but seeks to embe...
This paper examines transformations in the form and significance of visual material in Neolithic Apu...
The ‘symbolic capacity’ has come to be seen as a core trait of anatomically modern humans, and proba...
This chapter critically synthesizes the growing literature relating to the archaeology of the senses...
There is a lack of detailed research into the attitudes of the public in Britain to the Roman past. ...
This brief update introduces the framework of a newly funded research project entitled ‘Iron Age and...
How can archaeologists interpret ancient art and images if they do not treat them as symbols or sign...
Museums and Archaeology brings together a wide, but carefully chosen, selection of literature from a...
Contents Chapter 1: Introduction: A Review Of Contemporary Theoretical Debates In Archaeology Ian Ho...
Representations seeks to transform and enrich the understanding of cultures. Our central interests l...
Writing is the means by which archaeological knowledge is produced, shared and negotiated, which is ...
Archaeologists have struggled for more than a century to explain why the first representational art ...
The concept of aesthetics has long been marginalized in archaeology. It was originally formulated in...
The term ‘fetish’ has been used since the sixteenth century to refer to indigenous ‘power objects’, ...
Archaeological representation is a relatively new field of inquiry in the discipline, focusing on th...
This article summarises recent work on the engagement between art and archaeology, but seeks to embe...