What is art? Marcel Duchamp made this question pertinent when he developed his ‘Readymades’: ordinary, manufactured objects that he presented as art. In this paper, I use pragmatics – the branch of linguistics concerned with language use in context, and which has its historical roots in the philosophy of language – to argue that, if we accept that art is a form of communication, from artist to audience, then Duchamp was correct to claim that anything can be art, so long as it is presented as such
Organised around ten theses, this two-part essay sustains that art education’s viability comes from ...
In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ...
WHAT is art? Classificatory disputes.. Classificatory disputes about what is art ...
Never in history was art more present everywhere and never was it more valuable. Yet, in the wake of...
To say that the question “What is art?” is intimidating is, of course, an understatement. It has ex...
There is a correspondence between the mechanism of visual communication in Duchamp’s art and the pri...
In his article, About Art, Baruch Blich investigates why is art -- and especially modern art -- so...
Modern art has yet to be properly explained and given its own distinctive and authentic philosophy. ...
When I received, in early February, a message from the conference organizers announcing the re-struc...
The purpose of this paper is to offer some theoretical clarification of the word art in the wake of ...
As well as the ready-made, almost a century ago, turned the question “what is art?” into its opposit...
This thesis investigates the altered status of the readymade in relation to its Duchampian inception...
A peer-reviewed paper first presented at the Research into Practice conference 2006 and published in...
Since 2009, Brad Troemel and Lauren Christiansen have run the Jogging, a blog on the popular social ...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
Organised around ten theses, this two-part essay sustains that art education’s viability comes from ...
In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ...
WHAT is art? Classificatory disputes.. Classificatory disputes about what is art ...
Never in history was art more present everywhere and never was it more valuable. Yet, in the wake of...
To say that the question “What is art?” is intimidating is, of course, an understatement. It has ex...
There is a correspondence between the mechanism of visual communication in Duchamp’s art and the pri...
In his article, About Art, Baruch Blich investigates why is art -- and especially modern art -- so...
Modern art has yet to be properly explained and given its own distinctive and authentic philosophy. ...
When I received, in early February, a message from the conference organizers announcing the re-struc...
The purpose of this paper is to offer some theoretical clarification of the word art in the wake of ...
As well as the ready-made, almost a century ago, turned the question “what is art?” into its opposit...
This thesis investigates the altered status of the readymade in relation to its Duchampian inception...
A peer-reviewed paper first presented at the Research into Practice conference 2006 and published in...
Since 2009, Brad Troemel and Lauren Christiansen have run the Jogging, a blog on the popular social ...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
Organised around ten theses, this two-part essay sustains that art education’s viability comes from ...
In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ...
WHAT is art? Classificatory disputes.. Classificatory disputes about what is art ...