The virtual stage : play, drama, and agency in communications

This dissertation responds to a recent zeitgeist and climate of controversy surrounding issues of "virtuality" and "simulation" Such terms are treated as problematic and essentially contested when framed in reference to notions of a fixed observable "reality" rather than considered in terms of socially constructed facts, relationships and identities. The concept of the "virtual stage" advanced in this thesis, refers to the current historical moment in communications technology development as well as to the dramaturgical perspective which informs the theoretical approach and argument.In this dissertation, virtual reality is treated not as a single technology or corpus of machines, but following conventions established in recent telepresence research as an experience which can obtain in varying degrees by means of a host of communications media.Several complementary approaches are proposed and examined as a provisional framework for the study of emerging contemporary discourses of virtuality. Issues of virtuality are discussed from the perspective of historical cases which invite comparison and suggest a palimpsest of earlier technological modes of communication within contemporary situations. The social construction of technology approach is introduced following recent suggestions for marrying this approach to the Canadian tradition of socio-historical study of communication technology. Finally, play and dramaturgical theory are offered as a model for understanding how community and individual identity are constructed and maintained in some forms of computer mediated communication (video games, MUDs, and IRC) while allowing for potentially plausible notions of human agency