The numerous illustrations--or better yet demonstrations--in Viollet-le-Duc's Dictionnaire Raisonne of Gothic architecture were the most powerful means of implementing biological metaphors in order to transfer or situate the discourse of architecture within the realm of nineteenth century positivistic science. Viollet-le-Duc borrowed dissective strategies of representation from the field of anatomy to implement his alternate 'vision' for appropriating architectural knowledge. By inscribing anatomical metaphors within his architectural drawings, Viollet-le-Duc could filter the viewer's conception of architecture through his own appropriation of anatomy's critical and selective methods of representation. This scientific approach to architectu...
The representation of future events as already happened is explored through the use of section in bo...
The architectural scene of the 19th century was animated by profound debates in which doctrines and ...
Since the second half of the 19th century, the evolution of culture produced an increasing fragmenta...
The present study investigates the relations between technical-scientific illustration and architect...
International audienceIn the middle of the nineteenth century, the debate between Cuvier and Geoffro...
This article examines the historical and theoretical connections between architect Eugène Viollet-Le...
The purpose of the thesis is to fill a gap in the publications about Viollet-le-Duc, outlining his p...
The ancient art of stereotomy lies at the origins of the long process of formalizing the method of d...
"L’Architecture normande aux XIe et XIIe siècles en Normandie et en Angleterre", published in two vo...
<p>The architectural drawing brings together two aspects of architecture’s inescapable relationship ...
The philosophical interest for the « visibility », - Sichtbarkeit -, at the end of the XIXth century...
The task of this paper is to discuss the succession of style in Viollet-le-Duc's concept of "style" ...
In 1836, the young Viollet-le-Duc travelled to Italy with the purpose of completing his studies on a...
This research locates the racial frameworks produced by the integration of race and style theory in ...
View, from within overhang; The influence of Eugène-Emmanuel Viollet-le-Duc is evident in his early ...
The representation of future events as already happened is explored through the use of section in bo...
The architectural scene of the 19th century was animated by profound debates in which doctrines and ...
Since the second half of the 19th century, the evolution of culture produced an increasing fragmenta...
The present study investigates the relations between technical-scientific illustration and architect...
International audienceIn the middle of the nineteenth century, the debate between Cuvier and Geoffro...
This article examines the historical and theoretical connections between architect Eugène Viollet-Le...
The purpose of the thesis is to fill a gap in the publications about Viollet-le-Duc, outlining his p...
The ancient art of stereotomy lies at the origins of the long process of formalizing the method of d...
"L’Architecture normande aux XIe et XIIe siècles en Normandie et en Angleterre", published in two vo...
<p>The architectural drawing brings together two aspects of architecture’s inescapable relationship ...
The philosophical interest for the « visibility », - Sichtbarkeit -, at the end of the XIXth century...
The task of this paper is to discuss the succession of style in Viollet-le-Duc's concept of "style" ...
In 1836, the young Viollet-le-Duc travelled to Italy with the purpose of completing his studies on a...
This research locates the racial frameworks produced by the integration of race and style theory in ...
View, from within overhang; The influence of Eugène-Emmanuel Viollet-le-Duc is evident in his early ...
The representation of future events as already happened is explored through the use of section in bo...
The architectural scene of the 19th century was animated by profound debates in which doctrines and ...
Since the second half of the 19th century, the evolution of culture produced an increasing fragmenta...