Tragedy is an inheritance from Greece and Rome, which was not accepted by Western Europe until the Renaissance. The mediaeval religious drama and the few plays which had precededthe classical plays were not definitely classified as tragedy. Renaissance and pseudo-classical theorists turned to Aristotle's "Poetics" for rules governing tragedy. The "Poetics" may be the fragmentary notes of one of Aristotle's pupils, jotted down as he listened to his master in the shady walks of the Lyceum. Aristotle's method was analytical; he studied plays and gave his opinion as to their principal characteristics. [...
ABSTRACT: Hall (1996) raises the question of the relationship between Aristotle’s Politics and Poeti...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Includes bibliographical references (pages 61-63)The rise and decline of tragedy in drama in at leas...
This research explores the elements of tragedy in selected Shakespearean dramas. The Greek philosoph...
This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views...
It is no exaggeration to say that all Western literary criticism flows from Aristotle. In the Poetic...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
In the literary-historical and theoretical sense, the ancient drama established the initial genre of...
From Plato’s Republic and Aristotle’s Poetics onwards, tragedy has loomed large in the genealogy of ...
This thesis explores early forms of tragedy in the professional English playhouses. Tragedy was pred...
The dramatists of ancient Greece fixed the character and features of tragedy, and the Greek philosop...
This study examines the reception and appropriation of Euripides in the English Renaissance, concen...
Seneca to Shakespeare examines the English playwright\u27s earliest influence in his tragic composit...
TypescriptM.A. University of Missouri 1911Like all other Elizabethan drama, domestic tragedy shows i...
ABSTRACT: Hall (1996) raises the question of the relationship between Aristotle’s Politics and Poeti...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Includes bibliographical references (pages 61-63)The rise and decline of tragedy in drama in at leas...
This research explores the elements of tragedy in selected Shakespearean dramas. The Greek philosoph...
This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views...
It is no exaggeration to say that all Western literary criticism flows from Aristotle. In the Poetic...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
In the literary-historical and theoretical sense, the ancient drama established the initial genre of...
From Plato’s Republic and Aristotle’s Poetics onwards, tragedy has loomed large in the genealogy of ...
This thesis explores early forms of tragedy in the professional English playhouses. Tragedy was pred...
The dramatists of ancient Greece fixed the character and features of tragedy, and the Greek philosop...
This study examines the reception and appropriation of Euripides in the English Renaissance, concen...
Seneca to Shakespeare examines the English playwright\u27s earliest influence in his tragic composit...
TypescriptM.A. University of Missouri 1911Like all other Elizabethan drama, domestic tragedy shows i...
ABSTRACT: Hall (1996) raises the question of the relationship between Aristotle’s Politics and Poeti...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...
Just as tragic heroes and heroines have been identified with different eras and cultures, the classi...