Add to ORKGVirus.circus.probe. Performed by Micha Cárdenas and Elle Mehrmand at GUTTED. Los Angeles Contemporary Exhibition (LACE). Hollywood, CA. 19 January 2011. 
The film Positive Hell is a 30-minute exploration of five Spanish AIDS patients and their rationale ...
From Crossref journal articles via Jisc Publications RouterThis perspective analyses and reflects up...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
Virus.circus.probe. Performed by Micha Cárdenas and Elle Mehrmand at GUTTED. Los Angeles Cont...
Research article reviewing the exhibition ‘Sidsel Meineche Hansen: INSIDER’, Cubitt, London, 16 Octo...
Standing Ovation beschreibt die Entwicklung eines Theaterstücks über Menschen mit Brustkrebs, das fü...
This article is a review of the performances of Sweet Dreams by Diane Esguerra staged by Sphinx Th...
The notion of identification in visual media that require user participation is problematic. When im...
Link Link Circus is a theatrical script that presents historical, philosophical and scientific persp...
Book review of the Play in the System: The Art of Parasitical Resistance by Anna Watkins Fisher. Duk...
This is the author accepted manuscript. The final version is available from Routledge via the link i...
In 2010, English director Mike Figgis presented The Co(te)lette Film, a cinematographic adaptation o...
The cultural industries often privilege the use of sight and sound as our main areas of experience. ...
For many, the vaccine sceptic Jenny McCarthy personified the heroic patient-consumer in the American...
The author starts her review by recalling Jūratė Stauskaitė‘s exhibition given ten years ago and cen...
The film Positive Hell is a 30-minute exploration of five Spanish AIDS patients and their rationale ...
From Crossref journal articles via Jisc Publications RouterThis perspective analyses and reflects up...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
Virus.circus.probe. Performed by Micha Cárdenas and Elle Mehrmand at GUTTED. Los Angeles Cont...
Research article reviewing the exhibition ‘Sidsel Meineche Hansen: INSIDER’, Cubitt, London, 16 Octo...
Standing Ovation beschreibt die Entwicklung eines Theaterstücks über Menschen mit Brustkrebs, das fü...
This article is a review of the performances of Sweet Dreams by Diane Esguerra staged by Sphinx Th...
The notion of identification in visual media that require user participation is problematic. When im...
Link Link Circus is a theatrical script that presents historical, philosophical and scientific persp...
Book review of the Play in the System: The Art of Parasitical Resistance by Anna Watkins Fisher. Duk...
This is the author accepted manuscript. The final version is available from Routledge via the link i...
In 2010, English director Mike Figgis presented The Co(te)lette Film, a cinematographic adaptation o...
The cultural industries often privilege the use of sight and sound as our main areas of experience. ...
For many, the vaccine sceptic Jenny McCarthy personified the heroic patient-consumer in the American...
The author starts her review by recalling Jūratė Stauskaitė‘s exhibition given ten years ago and cen...
The film Positive Hell is a 30-minute exploration of five Spanish AIDS patients and their rationale ...
From Crossref journal articles via Jisc Publications RouterThis perspective analyses and reflects up...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...