Contemporary Japanese visual artist Murakami Takashi's theory of “superflat” Japanese arts and culture is nationalist and masculinist. However, women artists—including Yanagi Miwa and the performers of the Takarazuka Revue and Kegawa-zoku—use two-dimensional aesthetics to challenge the nationalist and masculinist construction of Japanese womanhood
The interactions and exchanges in contemporary processes of globalisation challenge the conventional...
This thesis examines the verbal and visual representations of Japanese women in\ud order to elucidat...
This thesis argues that the following texts by Murakami Ryū: “Topaz” (1988), Piercing (1997), Auditi...
In the mid-1990s, Japanese artists Mariko Mori (b. 1962) and Takashi Murakami (b. 1967) began creati...
This thesis examines Murakami Takashi’s Superflat theory and exhibition as well as the ramifications...
This thesis identifies a growing trend in the use of the shôjo girl motif in contemporary Japanese a...
So many foreigners “experience” tokyo for the first time through the incandescent images of anime mo...
Takashi Murakami’s notion of ‘superflat’ art has specific roots in the western-inf...
This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works a...
This thesis is an examination of the concept and the term "superflat" as it is elaborated by the Jap...
Kawaii (可愛い) is a Japanese term that loosely translates to “cute,” but more significantly refers to ...
Over the past few decades Murakami Haruki has emerged as one of the most significant literary figure...
The performativity of gender through cross-dressing has been a staple in Japanese media throughout t...
This article explores the gender-transgressive expressions found in shōjo culture in order to highli...
Contemporary animators are increasingly engaging with non-traditional cinematic platforms, from mult...
The interactions and exchanges in contemporary processes of globalisation challenge the conventional...
This thesis examines the verbal and visual representations of Japanese women in\ud order to elucidat...
This thesis argues that the following texts by Murakami Ryū: “Topaz” (1988), Piercing (1997), Auditi...
In the mid-1990s, Japanese artists Mariko Mori (b. 1962) and Takashi Murakami (b. 1967) began creati...
This thesis examines Murakami Takashi’s Superflat theory and exhibition as well as the ramifications...
This thesis identifies a growing trend in the use of the shôjo girl motif in contemporary Japanese a...
So many foreigners “experience” tokyo for the first time through the incandescent images of anime mo...
Takashi Murakami’s notion of ‘superflat’ art has specific roots in the western-inf...
This book explores the concept of 'girls' aesthetics,' where adult Japanese women create art works a...
This thesis is an examination of the concept and the term "superflat" as it is elaborated by the Jap...
Kawaii (可愛い) is a Japanese term that loosely translates to “cute,” but more significantly refers to ...
Over the past few decades Murakami Haruki has emerged as one of the most significant literary figure...
The performativity of gender through cross-dressing has been a staple in Japanese media throughout t...
This article explores the gender-transgressive expressions found in shōjo culture in order to highli...
Contemporary animators are increasingly engaging with non-traditional cinematic platforms, from mult...
The interactions and exchanges in contemporary processes of globalisation challenge the conventional...
This thesis examines the verbal and visual representations of Japanese women in\ud order to elucidat...
This thesis argues that the following texts by Murakami Ryū: “Topaz” (1988), Piercing (1997), Auditi...
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