Modernistic poetics Theory of Liang Zongdai

中国现代文学与启蒙主义思潮相伴而生，从而导致其内在结构存在着较强的现实功利性倾向。文学以现实功利作为重要的价值判断准则，势必造成审美意义在一定程度上的失落，这样，中国现代文学始终处在文学的现实功利和审美意义的矛盾张力之中。针对这种情况，梁宗岱从诗歌这一最讲“文学性”的体裁着手，以现代主义和德国古典哲学的理性主义作为理论基础，从形而上的层面探讨了诗歌理论问题，从而把审美意义确立为文学的价值判断原则之一。本文主要论述了梁宗岱诗论的这样四个范畴：“纯诗”理论，象征主义诗论，“诗的形式论”，及其诗论的美学、哲学的理论基础。首先，梁宗岱的“纯诗”理论认为，“纯诗”是诗的最高境界，力图确立诗的审美独立性；...The contemporary Chinese literature was born with the Enlightment, thus it is prone to realistic utility, which, to some extend, leads to the lost of the aesthetic meaning. In this way, the Chinese modern literature has always been in the tension of realistic utility and aesthetic meaning. The “Poetry Theory” of Liang Zongdai treats aesthetic meaning as one of valued principle based on ra...学位：文学硕士院系专业：人文学院中文系_文艺学学号：20030100