We present a multi-analytical non-invasive approach for the characterization of yellow paints used in three paintings from the International Gallery of Modern Art Cà Pesaro, Venice. The paintings selected for this study were executed in oil-based media between 1940-1960, they are unvarnished and have large monochromatic yellow areas. We focus on the identification of yellow pigments with a combined approach based on non-invasive portable X-ray Fluorescence (XRF) spectrometry, complemented with VIS reflectance, remote-Fourier Transform Infrared and Raman spectroscopies. Different yellow pigments including Chrome yellow Naples Yellow and Cadmium-based yellow were identified. Their identification is of fundamental importance since sever...
This work is focused on the study of semiconductor-based pigments, which substituted traditional pig...
The identification of altered cadmium yellow paints in early modernist works is critical to their st...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
We present a multi-analytical non-invasive approach for the characterisation of yellow paints used i...
Decades of technological advances in instrumental analysis have transformed many techniques from lab...
An analytical approach applied to Vincenzo Pasqualoni's wall paintings in the apse of S. Nicola in C...
The present study sought to expand on and confirm the already available information on the painting ...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
© 2017 Elsevier Masson SAS This paper presents an investigation of yellow pigments based on lead, ti...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
Pigment characterisation on modern and contemporary paintings and other works of art is crucial for ...
This work is focused on the study of semiconductor-based pigments, which substituted traditional pig...
The identification of altered cadmium yellow paints in early modernist works is critical to their st...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...
We present a multi-analytical non-invasive approach for the characterisation of yellow paints used i...
Decades of technological advances in instrumental analysis have transformed many techniques from lab...
An analytical approach applied to Vincenzo Pasqualoni's wall paintings in the apse of S. Nicola in C...
The present study sought to expand on and confirm the already available information on the painting ...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
The materials and techniques of wall paintings decorating the Domus of Octavius Quartio, an outstand...
The characterization of materials used in the archaeological field needs an experimental approach in...
© 2017 Elsevier Masson SAS This paper presents an investigation of yellow pigments based on lead, ti...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
Pigment characterisation on modern and contemporary paintings and other works of art is crucial for ...
This work is focused on the study of semiconductor-based pigments, which substituted traditional pig...
The identification of altered cadmium yellow paints in early modernist works is critical to their st...
A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus...