Add to ORKGExamination of the rarely unequivocal relationship between the compositional style of a given piece of music, its function (or functions) in performance, and its sound, in the context of what is known about normal uses and practices of music both in the greatest churches and, above all, in parish and monastic churches on the Italian peninsula during the sixteenth and early seventeenth centuries
The writer has examined the performance practices of the positive, portative, and regal organs in bo...
iii, 72 l. illus. (music) 28 cm. Bibliography: l. 72.The sixteenth century produced some of the fin...
This thesis is a study of the usage of sixteenth-century polyphonic devices as employed by the Engli...
Examination of the rarely unequivocal relationship between the compositional style of a given piece ...
grantor: University of TorontoPrescriptions for specific genres of musical composition be...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
Analysis of how church music is consumed on the Italian peninsula in relation to the activities of p...
The sacred music of the early to mid seventeenth-century Italy assimilated a new virtuosic, represen...
This is a study of published sacred polyphonic vocal music by composers working in the Venetian Repu...
At the end of 16th century, Bologna was one of the most influential cities of the Papal States and c...
The object of this thesis is to lay open a repertory of music which has long been ignored, the music...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
Over the course of the development of the violin and viol families between the second half of the si...
Indagine sulla consuetudine esecutiva della polifonia sacra quattro-cinquecentesca con voci assolo e...
Composers in the Renaissance era frequently engaged in the technique of musical borrowing by incorpo...
The writer has examined the performance practices of the positive, portative, and regal organs in bo...
iii, 72 l. illus. (music) 28 cm. Bibliography: l. 72.The sixteenth century produced some of the fin...
This thesis is a study of the usage of sixteenth-century polyphonic devices as employed by the Engli...
Examination of the rarely unequivocal relationship between the compositional style of a given piece ...
grantor: University of TorontoPrescriptions for specific genres of musical composition be...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
Analysis of how church music is consumed on the Italian peninsula in relation to the activities of p...
The sacred music of the early to mid seventeenth-century Italy assimilated a new virtuosic, represen...
This is a study of published sacred polyphonic vocal music by composers working in the Venetian Repu...
At the end of 16th century, Bologna was one of the most influential cities of the Papal States and c...
The object of this thesis is to lay open a repertory of music which has long been ignored, the music...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
Over the course of the development of the violin and viol families between the second half of the si...
Indagine sulla consuetudine esecutiva della polifonia sacra quattro-cinquecentesca con voci assolo e...
Composers in the Renaissance era frequently engaged in the technique of musical borrowing by incorpo...
The writer has examined the performance practices of the positive, portative, and regal organs in bo...
iii, 72 l. illus. (music) 28 cm. Bibliography: l. 72.The sixteenth century produced some of the fin...
This thesis is a study of the usage of sixteenth-century polyphonic devices as employed by the Engli...