Continuity and discontinuity in the music of Stravinsky Analysis, theory and meta-thoery

Stravinsky and his sketches The composing of Agon and other serial works of the 1950s

Tucker, S

January 1992

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:D177773 / BLDSC - British L...

The influence of Igor Stravinsky on the music and thought of Francis Poulenc

Wood, M.A.

January 1997

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN023466 / BLDSC - British Library D...

Pitch-class Function, Centricity, And Symmetry As Transposition Relations In Two Works Of Stravinsky.

Kielian-gilbert, Marianne Catherine

January 1981

Stravinsky has long been known to use small pitch-class collections, particularly four-note symmetri...

Structure, syntax and style in the music of Stravinsky

Gloag, K

January 1995

In 3 volsAvailable from British Library Document Supply Centre- DSC:DXN002926 / BLDSC - British Libr...

Modernism, analysis and new music Studies in the music of Stravinsky and Birtwistle

Cross, J.G.E

January 1994

SIGLEAvailable from British Library Document Supply Centre-DSC:DX189882 / BLDSC - British Library Do...

Ambiguity as an Essential Aesthetic Principle in Musical Listening:an aporetic relation between discontinuity and coherence in Stravinsky’s Symphonies of Wind Instruments

Bonde, Anders

January 2006

Stravinsky’s Symphonies of Wind Instruments represents a remarkable example of discontinuity. Here, ...

A semiotic evaluation of musical meaning in the works of Igor Stravinsky Decoding syntax and markedness and prototypicality theory

McKay, N.P.

January 1998

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN026379 / BLDSC - British Library D...

Continuity and change The music of Bruno Maderna

Fearn, R

January 1989

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:DX93166 / BLDSC - British L...

Temporality in post-tonal music

Adlington, R.

January 1997

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN008383 / BLDSC - British Library D...

Music theory and analysis in the writings of Arnold Schoenberg (1874-1951)

Dudeque, N.E.

January 2001

In 2 volsAvailable from British Library Document Supply Centre-DSC:DXN052412 / BLDSC - British Libra...

An Argument for the Reassessment of Stravinsky's Early Serial Compositions

Hughes, Timothy Stephen

December 1995

Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating seria...

Space Simultaneity in Stravinsky's Music: Theoretical Issues and New Examples

Alexy Viegas

April 2019

According to Straus (2014), much of Stravinsky’s music elaborates two structural fifths separated by...

Stravinsky's voices

Gritten, Anthony

January 1999

Includes bibliographical referencesAvailable from British Library Document Supply Centre- DSC:D22054...

Theory and practice An interpretation of serialism in the music of Luigi Dallapiccola

Wilkinson, E.N.

January 1982

SIGLEAvailable from British Library Document Supply Centre-DSC:DX192668 / BLDSC - British Library Do...

Taking liberties Schoenberg, Gershwin, Stravinsky and modern culture

Mathias, R.

January 1999

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN038296 / BLDSC - British Library D...

Stravinsky and his sketches The composing of Agon and other serial works of the 1950s

Tucker, S

January 1992

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:D177773 / BLDSC - British L...

The influence of Igor Stravinsky on the music and thought of Francis Poulenc

Wood, M.A.

January 1997

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN023466 / BLDSC - British Library D...

Pitch-class Function, Centricity, And Symmetry As Transposition Relations In Two Works Of Stravinsky.

Kielian-gilbert, Marianne Catherine

January 1981

Stravinsky has long been known to use small pitch-class collections, particularly four-note symmetri...

Structure, syntax and style in the music of Stravinsky

Gloag, K

January 1995

In 3 volsAvailable from British Library Document Supply Centre- DSC:DXN002926 / BLDSC - British Libr...

Modernism, analysis and new music Studies in the music of Stravinsky and Birtwistle

Cross, J.G.E

January 1994

SIGLEAvailable from British Library Document Supply Centre-DSC:DX189882 / BLDSC - British Library Do...

Ambiguity as an Essential Aesthetic Principle in Musical Listening:an aporetic relation between discontinuity and coherence in Stravinsky’s Symphonies of Wind Instruments

Bonde, Anders

January 2006

Stravinsky’s Symphonies of Wind Instruments represents a remarkable example of discontinuity. Here, ...

A semiotic evaluation of musical meaning in the works of Igor Stravinsky Decoding syntax and markedness and prototypicality theory

McKay, N.P.

January 1998

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN026379 / BLDSC - British Library D...

Continuity and change The music of Bruno Maderna

Fearn, R

January 1989

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:DX93166 / BLDSC - British L...

Temporality in post-tonal music

Adlington, R.

January 1997

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN008383 / BLDSC - British Library D...

Music theory and analysis in the writings of Arnold Schoenberg (1874-1951)

Dudeque, N.E.

January 2001

In 2 volsAvailable from British Library Document Supply Centre-DSC:DXN052412 / BLDSC - British Libra...

An Argument for the Reassessment of Stravinsky's Early Serial Compositions

Hughes, Timothy Stephen

December 1995

Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating seria...

Space Simultaneity in Stravinsky's Music: Theoretical Issues and New Examples

Alexy Viegas

April 2019

According to Straus (2014), much of Stravinsky’s music elaborates two structural fifths separated by...

Stravinsky's voices

Gritten, Anthony

January 1999

Includes bibliographical referencesAvailable from British Library Document Supply Centre- DSC:D22054...

Theory and practice An interpretation of serialism in the music of Luigi Dallapiccola

Wilkinson, E.N.

January 1982

SIGLEAvailable from British Library Document Supply Centre-DSC:DX192668 / BLDSC - British Library Do...

Taking liberties Schoenberg, Gershwin, Stravinsky and modern culture

Mathias, R.

January 1999

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN038296 / BLDSC - British Library D...

Stravinsky and his sketches The composing of Agon and other serial works of the 1950s

Tucker, S

January 1992

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:D177773 / BLDSC - British L...

The influence of Igor Stravinsky on the music and thought of Francis Poulenc

Wood, M.A.

January 1997

SIGLEAvailable from British Library Document Supply Centre-DSC:DXN023466 / BLDSC - British Library D...

Pitch-class Function, Centricity, And Symmetry As Transposition Relations In Two Works Of Stravinsky.

Kielian-gilbert, Marianne Catherine

January 1981

Stravinsky has long been known to use small pitch-class collections, particularly four-note symmetri...

Continuity and discontinuity in the music of Stravinsky Analysis, theory and meta-thoery

Abstract

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Continuity and discontinuity in the music of Stravinsky Analysis, theory and meta-thoery

Abstract

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