The significance of the Italian style in German Lutheran music of the early seventeenth century A study of Johann Hermann Schein's 'Opella nova' (1618, 1626)

Dixon, G

January 1982

SIGLEAvailable from British Library Document Supply Centre- DSC:D42301/82 / BLDSC - British Library ...

Prof Richard
L. Blatti
Mark Allen Chaney

January 2007

ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...

An Examination of the relationship between Johann Spangenberg's Cantiones ecclesiasticae/Kirchengesenge deudsch and Martin Luther's Formula missae et communionis and Deutsche Messe

Wessler, Jonathan (1984 - )

September 2012

vii, 102 p. ; 28 cm.Johann Spangenberg’s Cantiones ecclesiasticae/Kirchengesenge Deudsch (1545) is t...

A study of Italian influences on North German church and organ music in the second half of the seventeenth century, with special reference to the collection of Gustav Dueben

Webber, G.A

January 1988

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:D170782 / BLDSC - British L...

Review Of North German Church Music In The Age Of Buxtehude By G. Webber

Marissen, Michael

November 1996

This examination of the surviving repertory of North German church music composed during the second ...

Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection

Dunsavage, Angelica Marie
Dunsavage, Angelica Marie

January 2020

The focus of this document is the use of rhetoric and word painting in the German madrigals of Johan...

German secular polyphonic song in the printed editions 1570-1630 Italian influences on the poetry and music

Dumont, S.E
Oxford Univ. (United Kingdom)

January 1982

2 volsSIGLEAvailable from British Library Lending Division - LD:D55820/85 / BLDSC - British Library ...

The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century Stuttgart

Owens, Samantha

December 2018

In June 1695, Maria Elisabeth Kusser offered the Duke of Württemberg her late husband's music collec...

Compositional Style, Performance and Function in Sixteenth-Century Italian Church Polyphony

D.D. BRYANT
E. QUARANTA

January 2014

Examination of the rarely unequivocal relationship between the compositional style of a given piece ...

Two practices, three styles, the evolution of typologies of compositional genre in sixteenth- and seventeenth-century Italian writings on music

Marvin, Clara Kelly

January 1998

grantor: University of TorontoPrescriptions for specific genres of musical composition be...

Translating “Transition”: A Case Study in Interpreting Seventeenth Century German Church Music through a Survey of Three Settings of Christ lag in Todesbanden

Mullaney, Ryan Michael

January 2018

Thesis (D.M.A.)--University of Washington, 2018The sacred music of central Germany in the eighteenth...

A new recognition of the presence of Claudio Monteverdi's sacred compositions in 17th-century German sacred anthologies

Mannoia V. M. R.

January 2019

This paper need to re-read the Claudio Monteverdi's icon in an international perspective. It wants t...

Johann Hermann Schein and Musica poetica : a study of the application of musical-rhetorical figures in the spiritual madrigals of the Israelsbrünnlein (1623)

Johnston, Gregory Scott

January 1982

The present study examines the musical-rhetorical figures of the of the 17th-century "Figurenlehre" ...

Keyboard music of the early 17th century in Italy.

Slivkin, Elaine R

January 1953

Thesis (M.A.)--Boston University. There is no page 48. Relevant musical notes inserted after each pa...

In coelo et in terra: Lutheran Theological Structure of the Troped Magnificats of Michael Praetorius’s Megalynodia Sionia

Ross, Adrian D. J.

July 2017

Michael Praetorius (1571–1621) ranks among the most prolific German musical figures of the seventeen...

Liturgical music in Rome 1605-45

Dixon, G

January 1982

SIGLEAvailable from British Library Document Supply Centre- DSC:D42301/82 / BLDSC - British Library ...

Copyright by

Prof Richard
L. Blatti
Mark Allen Chaney

January 2007

ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...

An Examination of the relationship between Johann Spangenberg's Cantiones ecclesiasticae/Kirchengesenge deudsch and Martin Luther's Formula missae et communionis and Deutsche Messe

Wessler, Jonathan (1984 - )

September 2012

vii, 102 p. ; 28 cm.Johann Spangenberg’s Cantiones ecclesiasticae/Kirchengesenge Deudsch (1545) is t...

A study of Italian influences on North German church and organ music in the second half of the seventeenth century, with special reference to the collection of Gustav Dueben

Webber, G.A

January 1988

In 2 volsSIGLEAvailable from British Library Document Supply Centre- DSC:D170782 / BLDSC - British L...

Review Of North German Church Music In The Age Of Buxtehude By G. Webber

Marissen, Michael

November 1996

This examination of the surviving repertory of North German church music composed during the second ...

Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection

Dunsavage, Angelica Marie
Dunsavage, Angelica Marie

January 2020

The focus of this document is the use of rhetoric and word painting in the German madrigals of Johan...

German secular polyphonic song in the printed editions 1570-1630 Italian influences on the poetry and music

Dumont, S.E
Oxford Univ. (United Kingdom)

January 1982

2 volsSIGLEAvailable from British Library Lending Division - LD:D55820/85 / BLDSC - British Library ...

The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century Stuttgart

Owens, Samantha

December 2018

In June 1695, Maria Elisabeth Kusser offered the Duke of Württemberg her late husband's music collec...

Compositional Style, Performance and Function in Sixteenth-Century Italian Church Polyphony

D.D. BRYANT
E. QUARANTA

January 2014

Examination of the rarely unequivocal relationship between the compositional style of a given piece ...

Two practices, three styles, the evolution of typologies of compositional genre in sixteenth- and seventeenth-century Italian writings on music

Marvin, Clara Kelly

January 1998

grantor: University of TorontoPrescriptions for specific genres of musical composition be...

Translating “Transition”: A Case Study in Interpreting Seventeenth Century German Church Music through a Survey of Three Settings of Christ lag in Todesbanden

Mullaney, Ryan Michael

January 2018

Thesis (D.M.A.)--University of Washington, 2018The sacred music of central Germany in the eighteenth...

A new recognition of the presence of Claudio Monteverdi's sacred compositions in 17th-century German sacred anthologies

Mannoia V. M. R.

January 2019

This paper need to re-read the Claudio Monteverdi's icon in an international perspective. It wants t...

Johann Hermann Schein and Musica poetica : a study of the application of musical-rhetorical figures in the spiritual madrigals of the Israelsbrünnlein (1623)

Johnston, Gregory Scott

January 1982

The present study examines the musical-rhetorical figures of the of the 17th-century "Figurenlehre" ...

Keyboard music of the early 17th century in Italy.

Slivkin, Elaine R

January 1953

Thesis (M.A.)--Boston University. There is no page 48. Relevant musical notes inserted after each pa...

In coelo et in terra: Lutheran Theological Structure of the Troped Magnificats of Michael Praetorius’s Megalynodia Sionia

Ross, Adrian D. J.

July 2017

Michael Praetorius (1571–1621) ranks among the most prolific German musical figures of the seventeen...

Liturgical music in Rome 1605-45

Dixon, G

January 1982

SIGLEAvailable from British Library Document Supply Centre- DSC:D42301/82 / BLDSC - British Library ...

Copyright by

Prof Richard
L. Blatti
Mark Allen Chaney

January 2007

ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...

An Examination of the relationship between Johann Spangenberg's Cantiones ecclesiasticae/Kirchengesenge deudsch and Martin Luther's Formula missae et communionis and Deutsche Messe

Wessler, Jonathan (1984 - )

September 2012

vii, 102 p. ; 28 cm.Johann Spangenberg’s Cantiones ecclesiasticae/Kirchengesenge Deudsch (1545) is t...

The significance of the Italian style in German Lutheran music of the early seventeenth century A study of Johann Hermann Schein's 'Opella nova' (1618, 1626)

Abstract

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The significance of the Italian style in German Lutheran music of the early seventeenth century A study of Johann Hermann Schein's 'Opella nova' (1618, 1626)

Abstract

Extracted data

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