The purpose of this MA thesis is to analyse the function of the comic elements in several post-conflict Northern Irish plays that deal with the legacy of the Troubles. This thesis stems from the hypothesis that the approach towards the armed conflict has changed during the 20 years of peace and has allowed playwrights to offer comical perspectives that not only critically engage with the issue, but at the same time help both sides of the conflict deal with the remaining trauma caused by it. The thesis provides a close reading of four Northern Irish plays which have achieved a considerable critical acclaim. The four plays chosen for the purpose of this MA thesis are: Tim Loane's comedies Caught Red Handed (2002), produced by the Tinderbox Th...
This research booklet examines the effectiveness of drama and theatre practice as a means to promoti...
The aim of this thesis is to introduce the situation in Northern Ireland. It follows the historical ...
Transatlantic Dialogues: Sectarian Violence and Popular Performance in Nineteenth-Century Belfast ex...
The purpose of this MA thesis is to analyse the function of the comic elements in several post-confl...
The objective of this thesis was to provide a detailed analysis of three modern Irish plays which sh...
Thesis abstract The thirty-year conflict in Northern Ireland, also known as the Troubles, has inspir...
This Bachelor Thesis is focused on the problematics and analysis of three plays by Martin McDonagh, ...
This thesis explores the role of engaged theatre in peacebuilding through the lens of conflict trans...
This thesis focuses on Northern Ireland's conflict and its reflection in Jim Sheridan's film In the ...
This report is the result of a month-long study on theatrical expression in Northern Irish Communiti...
This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their crit...
This thesis questions how theatre can act as a site of resistance against the political structures o...
This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their crit...
Professional theatre writing that explores the conflict has a long history in Ireland, from O'Casey ...
This bachelor thesis focuses on The Entertainer (1957) by John Osborne and on The Kitchen (1959) by ...
This research booklet examines the effectiveness of drama and theatre practice as a means to promoti...
The aim of this thesis is to introduce the situation in Northern Ireland. It follows the historical ...
Transatlantic Dialogues: Sectarian Violence and Popular Performance in Nineteenth-Century Belfast ex...
The purpose of this MA thesis is to analyse the function of the comic elements in several post-confl...
The objective of this thesis was to provide a detailed analysis of three modern Irish plays which sh...
Thesis abstract The thirty-year conflict in Northern Ireland, also known as the Troubles, has inspir...
This Bachelor Thesis is focused on the problematics and analysis of three plays by Martin McDonagh, ...
This thesis explores the role of engaged theatre in peacebuilding through the lens of conflict trans...
This thesis focuses on Northern Ireland's conflict and its reflection in Jim Sheridan's film In the ...
This report is the result of a month-long study on theatrical expression in Northern Irish Communiti...
This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their crit...
This thesis questions how theatre can act as a site of resistance against the political structures o...
This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their crit...
Professional theatre writing that explores the conflict has a long history in Ireland, from O'Casey ...
This bachelor thesis focuses on The Entertainer (1957) by John Osborne and on The Kitchen (1959) by ...
This research booklet examines the effectiveness of drama and theatre practice as a means to promoti...
The aim of this thesis is to introduce the situation in Northern Ireland. It follows the historical ...
Transatlantic Dialogues: Sectarian Violence and Popular Performance in Nineteenth-Century Belfast ex...