This thesis provides new and alternative readings of women’s opportunities for agency in sixteenth and early seventeenth century society, and of the ways in which this was represented in plays and masques of the time. The relationship between history and theatre is a two-way process. In light of this, the depiction of proactive female characters in public plays is examined alongside the appearance of proactive women in society and on stage in Jacobean court masques, through the different but complementary lenses of marriage and female alliances. After the Introduction (Chapter One), Part One (Chapters Two and Three) looks at female agency in marriage and the ways in which this was depicted in drama, from the perspective of two neglected soc...
Three romantic comedy plays set in rural English towns, Henry Porter\u27s The Two Angry Women of Abi...
The adaptations of Shakespeare‘s plays that were written and staged during the English Restoration a...
This thesis examines scenes of women’s dialogue in neoclassical tragedies of the English Renaissance...
This thesis provides new and alternative readings of women’s opportunities for agency in sixteenth a...
This study investigates the long-neglected cultural engagement of the court of Anne of Denmark, con...
The thesis contends that dramatists, pamphleteers and poets mobilised issues of gender in a bid to n...
This project focuses on the representation of women on the early modern stage in three exemplary tex...
This doctoral thesis looks anew at the representation of women in the non-Shakespearean plays of ear...
This project focuses on the representation of women on the early modern stage in three exemplary tex...
This thesis analyses how early modern English history plays deploy representations of ‘unquiet’ medi...
This study is a survey of the presentation of women in English drama from 1300 - 1600, and of the re...
This thesis explores how queens in Shakespeare’s English history plays manipulate virtues, space, a...
This study is an exploration of how women of the middling sort negotiate power in early modern Engli...
Studies on the traffic in women have usefully illuminated the ways in which women function as object...
This dissertation explores how stage properties contribute to the enterprise of depicting the desire...
Three romantic comedy plays set in rural English towns, Henry Porter\u27s The Two Angry Women of Abi...
The adaptations of Shakespeare‘s plays that were written and staged during the English Restoration a...
This thesis examines scenes of women’s dialogue in neoclassical tragedies of the English Renaissance...
This thesis provides new and alternative readings of women’s opportunities for agency in sixteenth a...
This study investigates the long-neglected cultural engagement of the court of Anne of Denmark, con...
The thesis contends that dramatists, pamphleteers and poets mobilised issues of gender in a bid to n...
This project focuses on the representation of women on the early modern stage in three exemplary tex...
This doctoral thesis looks anew at the representation of women in the non-Shakespearean plays of ear...
This project focuses on the representation of women on the early modern stage in three exemplary tex...
This thesis analyses how early modern English history plays deploy representations of ‘unquiet’ medi...
This study is a survey of the presentation of women in English drama from 1300 - 1600, and of the re...
This thesis explores how queens in Shakespeare’s English history plays manipulate virtues, space, a...
This study is an exploration of how women of the middling sort negotiate power in early modern Engli...
Studies on the traffic in women have usefully illuminated the ways in which women function as object...
This dissertation explores how stage properties contribute to the enterprise of depicting the desire...
Three romantic comedy plays set in rural English towns, Henry Porter\u27s The Two Angry Women of Abi...
The adaptations of Shakespeare‘s plays that were written and staged during the English Restoration a...
This thesis examines scenes of women’s dialogue in neoclassical tragedies of the English Renaissance...