My aim in the written thesis is to scrutinize a particular stage in the process of image making by means of ideas generated by psychoanalytic theory, in particular Lacan’s concept of the gaze. I propose a three stage model of image making: 1) planning, 2) absorption or ‘un-thought’, and 3) judging; they are seen together as a spiral process. My primary interest is the second stage, both in my studio practice and in the written thesis. In the studio this can be seen in the conjunction between passages emphasizing energy, for instance passages emphasizing a ‘re-invigoration’ of the figure by means of an investigation into mark making and cartoon elements, and passages emphasizing form and colour. In the written work, by using Lacan’s concept ...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
This practice-based research project centres on the retrospective activation of the painted surface ...
My aim in the written thesis is to scrutinize a particular stage in the process of image making by m...
The aim of this practice-based research project is to examine how specular highlights and proximal s...
My practice-led PhD research project seeks to find ways to create immersive painting installations t...
Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of ...
My work as an artist takes an image on a journey beginning with a photographic source image and endi...
© 1990 Dr. Brenda Janice MarshallInsofar as this dissertation aims to explore aspects of a Lacanian ...
This article explores and presents the reciprocal nature of looking between two objects, making the ...
This chapter is a part of a pan-European publication on research in the arts, originally funded by R...
This practice-led research explores the development of artistic practice in the context of phenomeno...
This thesis examines the creative process involved in the creation of a work of art; in this case, a...
This thesis concerns itself with the transformation of idea through the manipulation of visual langu...
This dissertation follows an existing tradition in which a particular type of ocularcentrism has bee...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
This practice-based research project centres on the retrospective activation of the painted surface ...
My aim in the written thesis is to scrutinize a particular stage in the process of image making by m...
The aim of this practice-based research project is to examine how specular highlights and proximal s...
My practice-led PhD research project seeks to find ways to create immersive painting installations t...
Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of ...
My work as an artist takes an image on a journey beginning with a photographic source image and endi...
© 1990 Dr. Brenda Janice MarshallInsofar as this dissertation aims to explore aspects of a Lacanian ...
This article explores and presents the reciprocal nature of looking between two objects, making the ...
This chapter is a part of a pan-European publication on research in the arts, originally funded by R...
This practice-led research explores the development of artistic practice in the context of phenomeno...
This thesis examines the creative process involved in the creation of a work of art; in this case, a...
This thesis concerns itself with the transformation of idea through the manipulation of visual langu...
This dissertation follows an existing tradition in which a particular type of ocularcentrism has bee...
This thesis considers the critical possibilities of aesthetic experience in a contemporary context, ...
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
This practice-based research project centres on the retrospective activation of the painted surface ...