The published texts and curatorial practice collected together in this PhD interrogate the nature of the creative act in contemporary visual art practices. They focus on the complex of co-creation in relation to: - creative acts of dialogue between the practices of artists, curators and writers - creative acts of experiencing the world - creative acts of making art about experiencing. They form a coherent programme of research addressing: - site-based and contextually engaged curated projects since the 1950s - relationships between, and definitions of, the roles of curator, writer and artist in contemporary practices - the nature of authorship and collaboration - histories, theories and practices around Body Art and Land Art - current philo...
textThis thesis is a narrative study that examines significant life experiences of six living artist...
This is a statement from the catalogue of a recent exhibition in which UTS\u27s Creativity and Cogni...
Eventually Everything Connects (2015) Can new artwork be produced through a reflective and critical...
The published texts and curatorial practice collected together in this PhD interrogate the nature o...
Audience participation has polarized the critical debate surrounding contemporary art's social, mora...
Collaboration in the visual arts has presented itself in many ways ranging from the common exquisite...
In this thesis I look at the artist-curator collaboration as a creative practice, focusing on curati...
In this chapter we offer a creative account of the exhibition Where knowing and not knowing touch (S...
Curating Knowledge aims to generate a discursive platform that highlights the links between research...
This thesis is manifested through themes of subjectivity, collaboration and exploration. Through des...
The Creative Centre for Fluid Territories (CCFT) - is a group of artists, architects, designers and ...
Collaborative and process-oriented exhibition-making has been at the core of my curatorial practice ...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
This article examines response to the interactive artwork ‘Deus Oculi’ designed by Cleverly, and in ...
This thesis examines practices derived from socio-anthropological methodology and performative strat...
textThis thesis is a narrative study that examines significant life experiences of six living artist...
This is a statement from the catalogue of a recent exhibition in which UTS\u27s Creativity and Cogni...
Eventually Everything Connects (2015) Can new artwork be produced through a reflective and critical...
The published texts and curatorial practice collected together in this PhD interrogate the nature o...
Audience participation has polarized the critical debate surrounding contemporary art's social, mora...
Collaboration in the visual arts has presented itself in many ways ranging from the common exquisite...
In this thesis I look at the artist-curator collaboration as a creative practice, focusing on curati...
In this chapter we offer a creative account of the exhibition Where knowing and not knowing touch (S...
Curating Knowledge aims to generate a discursive platform that highlights the links between research...
This thesis is manifested through themes of subjectivity, collaboration and exploration. Through des...
The Creative Centre for Fluid Territories (CCFT) - is a group of artists, architects, designers and ...
Collaborative and process-oriented exhibition-making has been at the core of my curatorial practice ...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
This article examines response to the interactive artwork ‘Deus Oculi’ designed by Cleverly, and in ...
This thesis examines practices derived from socio-anthropological methodology and performative strat...
textThis thesis is a narrative study that examines significant life experiences of six living artist...
This is a statement from the catalogue of a recent exhibition in which UTS\u27s Creativity and Cogni...
Eventually Everything Connects (2015) Can new artwork be produced through a reflective and critical...