This dissertation explores how changing ideas of dramatic performance and of theatre’s place in society have been given built form by reference to twelve British theatres from the period 1926-1991. Hitherto, theatres have often been relegated to the margins of architectural history, but their buildings fulfil important functional and symbolic roles in responding to the complex needs, aspirations, and aesthetic ideas of their users. Chapter One discusses three inter-war theatres which were all intended to be somehow ‘modern’. It shows that this concept was interpreted in different ways by reference to the Festival Theatre, Cambridge (1926); the New Victoria, London (1930); and the Shakespeare Memorial Theatre, Stratford-upon-Avon (1932). The...
The purpose of this dissertation is to investigate how livecasting - the use of cinemas to display a...
This thesis sets out to demonstrate that my published works represent a sustained, substantial, con...
This thesis focuses on small spaces for theatre in Belfast accommodating an audience of less than 50...
This thesis looks at the genesis of one of Britain’s most important post-war public buildings, and a...
AIM: The aim of this study is to present the state of the theatre and architecture as a part of Spac...
The thesis presents a study of three theatres in Camden: the Bedford Theatre, the Open Space Theatre...
PhD Theses.Four-hundred years since the King’s Men rebuilt the Globe Theatre after the errant waddin...
This thesis examines the Britannia Theatre in relation to the East End community in which it was sit...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
In this thesis I examine the development in the theatre outside London, known as the "repertory the...
This work is based on the assumption that it is possible to achieve sustainable development by prese...
1914-1956: as political governing systems clashed, economic crises devastated nations and the percei...
This thesis investigates the rise and fall of the propagandist theatre of Moral Re-Armament (MRA), w...
This thesis evaluates the contemporary relevance of recent historical relationships between alternat...
The purpose of this dissertation is to investigate how livecasting - the use of cinemas to display a...
This thesis sets out to demonstrate that my published works represent a sustained, substantial, con...
This thesis focuses on small spaces for theatre in Belfast accommodating an audience of less than 50...
This thesis looks at the genesis of one of Britain’s most important post-war public buildings, and a...
AIM: The aim of this study is to present the state of the theatre and architecture as a part of Spac...
The thesis presents a study of three theatres in Camden: the Bedford Theatre, the Open Space Theatre...
PhD Theses.Four-hundred years since the King’s Men rebuilt the Globe Theatre after the errant waddin...
This thesis examines the Britannia Theatre in relation to the East End community in which it was sit...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
In this thesis I examine the development in the theatre outside London, known as the "repertory the...
This work is based on the assumption that it is possible to achieve sustainable development by prese...
1914-1956: as political governing systems clashed, economic crises devastated nations and the percei...
This thesis investigates the rise and fall of the propagandist theatre of Moral Re-Armament (MRA), w...
This thesis evaluates the contemporary relevance of recent historical relationships between alternat...
The purpose of this dissertation is to investigate how livecasting - the use of cinemas to display a...
This thesis sets out to demonstrate that my published works represent a sustained, substantial, con...
This thesis focuses on small spaces for theatre in Belfast accommodating an audience of less than 50...