This thesis explores the creative process of improvisation in music with a specific emphasis on investigating its potential for learning. The widespread practice of improvisation in music is relatively absent from education and there is an urgent need to more fully understand improvisation's processes. A broad body of knowledge of improvisation in music has developed within the international community of musicians whose practice is centred on improvisation and an understanding of this knowledge could become highly relevant for a variety of educational contexts. Ten highly experienced, world leading improvisers from Europe and North America took part in semi-structured interviews and were asked the over-arching question: What is the place of...
This paper explores firstly the sense in which improvisation might be conceived of as an informal mu...
This project deals with one of the key issues of European music in modern and contemporary eras: the...
What does it mean to learn when a practice continuously transforms itself? When clear formulas cease...
How does one improvise? How can one learn the art of improvisation? By considering these two questio...
My research thesis concerns the teaching and learning of improvisation in music, and consists of nin...
In the growing field of research on improvisation, it is argued that improvisation should be at the ...
Improvisation is an articulated multidimensional activity based on an extemporaneous creative perfor...
Improvisation in general music education is still a somewhat underdeveloped practice. Moreover, atte...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
This project deals with one of the key issues of European music in modern and contemporary eras: the...
This thesis investigates the role of musical improvisation in relation to composition, innovation, a...
The teaching of music improvisation is commonly approached as the process of incorporating the vocab...
To anyone who has ever attended a concert of live improvised music, I would ask: “Wasn’t there somet...
This paper explores firstly the sense in which improvisation might be conceived of as an informal mu...
This project deals with one of the key issues of European music in modern and contemporary eras: the...
What does it mean to learn when a practice continuously transforms itself? When clear formulas cease...
How does one improvise? How can one learn the art of improvisation? By considering these two questio...
My research thesis concerns the teaching and learning of improvisation in music, and consists of nin...
In the growing field of research on improvisation, it is argued that improvisation should be at the ...
Improvisation is an articulated multidimensional activity based on an extemporaneous creative perfor...
Improvisation in general music education is still a somewhat underdeveloped practice. Moreover, atte...
This exegesis examines influences, processes and idiosyncrasies in musical improvisation in a jazz c...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
This project deals with one of the key issues of European music in modern and contemporary eras: the...
This thesis investigates the role of musical improvisation in relation to composition, innovation, a...
The teaching of music improvisation is commonly approached as the process of incorporating the vocab...
To anyone who has ever attended a concert of live improvised music, I would ask: “Wasn’t there somet...
This paper explores firstly the sense in which improvisation might be conceived of as an informal mu...
This project deals with one of the key issues of European music in modern and contemporary eras: the...
What does it mean to learn when a practice continuously transforms itself? When clear formulas cease...