Human movement is central to instrumental musical performance. Beyond the apparent connection between sound-producing actions and the sounds themselves, movement can communicate emotion, musical intention and structure. In designing an acoustic instrument, the requirements to support the vibration and manipulation of strings or membranes constrain the possibilities for action that facilitate performance. In Digital Musical Instrument (OM!) design, however, no specific physical requirements for movements exist. Electronic sound production and sensing systems expand the possibilities for performance movement far beyond that typically associated with acoustic instruments. This is indicated by the OM! design community's focus on sound synthesis...
The relationship between a performer and their instrument is an intricate one. To me, performing (to...
Motion-based music applications exploit the connection between body movements and musical concepts t...
Body movement is integral to both performance and perception of music, and this dissertation suggest...
In this paper we describe the application of a movement-based design process for digital musical ins...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper proposes that the physicality of an instrument be considered an important aspect in the d...
Music is a complex multimodal medium experienced not only via sounds but also through body movement....
Musicians produce sound from acoustic instruments by means of physical movements: plucking, bowing, ...
Music is a complex multimodal medium experienced not only via sounds but also through body movement...
Twister Twister is a prototype digital instrument developed by Nicholas Ward Composition and perform...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
This thesis describes the design and use of two novel digital musical instruments (DMIs) based on mo...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Music...
The relationship between a performer and their instrument is an intricate one. To me, performing (to...
Motion-based music applications exploit the connection between body movements and musical concepts t...
Body movement is integral to both performance and perception of music, and this dissertation suggest...
In this paper we describe the application of a movement-based design process for digital musical ins...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper proposes that the physicality of an instrument be considered an important aspect in the d...
Music is a complex multimodal medium experienced not only via sounds but also through body movement....
Musicians produce sound from acoustic instruments by means of physical movements: plucking, bowing, ...
Music is a complex multimodal medium experienced not only via sounds but also through body movement...
Twister Twister is a prototype digital instrument developed by Nicholas Ward Composition and perform...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
This thesis describes the design and use of two novel digital musical instruments (DMIs) based on mo...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Music...
The relationship between a performer and their instrument is an intricate one. To me, performing (to...
Motion-based music applications exploit the connection between body movements and musical concepts t...
Body movement is integral to both performance and perception of music, and this dissertation suggest...